Psychology of the ImagePsychology Press, 2000 - 208 páginas Psychology of the Image outlines a theoretical framework bringing together the semiotic concepts developed by Charles Peirce, the sociological insights of Ervin Goffman and the psychoanalytic ideas of Jacques Lacan. Image studies in fashion, advertising, photography, film studies and psychology have been influenced by these theorists in significant ways. The framework presented helps the reader understand how these ideas relate to the study of different domains of the image: the internal imagery of dreams, external images such as the photograph and image processes which span both contexts, e.g., images we have about ourselves. The topics discussed are organised into three themes. The first considers mental imagery, including sound and dreams. The second addresses the interdependent nature of internal and external images, e.g., the gendered self and social identity. In the third theme, attention turns to external images including television, film, photography, the computer and the internet. Psychology of the Image will be of interest to undergraduates, postgraduates, lecturers and researchers in the fields of psychology, media studies and sociology. |
Índice
THEME I | 15 |
THEME II | 65 |
vi | 84 |
The gendered image | 103 |
THEME III | 125 |
Virtual semiotics and electronic images | 151 |
Postscript to a psychology of the image | 175 |
203 | |
Outras edições - Ver tudo
Palavras e frases frequentes
accounts activity analysis approach appropriate argues associated auditory behaviour body cathected chapter child cinema cognitive cognitive psychology communication concept consider constitutes construction constructivist contemporary context contrast conventions critical cultural desktop metaphor developmental psychology discourse display distinct dominant dream-work dreams emphasised everyday example experience external images film film theory focuses framework Freud gendered images Goffman highlights hypermedia iconic ideas interaction interdependent internal interpretation involved Lacan language listening masculinity mass media meaning mental imagery metaphor narrative nature notes notion object participants particular perceived perception perceptual psychology person perspective photographic image position post-structuralism post-structuralist presupposed psychoanalytic radio radio drama reality recognise reflect relations relationship representation role screen self-image semiosis semiotics sense significance social identity social identity theory social practices social psychology sound structure Sulloway symbolic talk television theoretical theory thinking tion Tseelon underpins understanding visual visual perception
Referências a este livro
Persuasive Imagery: A Consumer Response Perspective Linda M. Scott,Rajeev Batra Pré-visualização indisponível - 2003 |
Sensational Knowledge: Embodying Culture Through Japanese Dance Tomie Hahn Pré-visualização limitada - 2007 |