Passport to Hollywood: Hollywood Films, European DirectorsIn Passport to Hollywood, James Morrison examines a series of Hollywood films by directors from European art-cinemas. Drawing widely on current research in film theory, film history, and cultural studies, he traces the influence of European filmmakers in Hollywood from the 1920s to the 1980s and illuminates the relation between modernism and mass-culture in American movies. By interpreting important American films, Morrison also shows how these films illustrate key issues of cultural hierarchy and national culture over fifty years of American cinema. In addition, he explores the complex and often contradictory ways that these Hollywood movies conceptualize ideas about foreignness. Using insightful close viewings, Morrison demonstrates new connections among modernism, postmodernism, and American movies. |
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Índice
| 29 | |
| 75 | |
| 109 | |
UnAmerican Activities in 1950s Hollywood Hollywood Reading Europe Europe Reading Hollywood | 145 |
Reinventing Otherness Petulia ArtCinema and the New Hollywood | 175 |
Mythic SelfConsciousness and Homosexual Panic in the New Hollywood One Flew over the Cuckoos Nest and Deliverance | 207 |
Cutters Way and New Hollywood Spectatorship | 241 |
Coda | 271 |
Notes | 275 |
Bibliography | 293 |
Index | 305 |
Outras edições - Ver tudo
Passport to Hollywood: Hollywood Films, European Directors James Morrison Pré-visualização limitada - 1998 |
Palavras e frases frequentes
Adele Adele's aesthetic alien American Archie argues audience Bone's camera character characterized Chris Chris's Classical Hollywood Classical Hollywood Cinema close-up conception context contrast conventional critical critique Cuckoo's Nest cultural hierarchy Cutter's defined diegesis differential European art-cinema European cinemas European directors explicitly figure film noir film's filmmaking flashback foreign forms Fritz Lang function genre German expressionism Godard's historical Holly Hollywood cinema Hollywood film homosexual panic hyperreal identification ideology implies initially instance institution Kitty Kitty's Kracauer Laughton's literal logic Lory Lory's male mass culture McMurphy melodrama Miniver Mister Roberts modernism modernist movie Murnau's myth narrative neo-noir painting paranoia Petulia point-of-view political position postwar potential production rape Ratched's registers relation rendering Renoir's representation representative reveals rhetoric Scarlet Street scene screwball comedy seen sequence sexual shot signifiers social space specific spectacle spite status structure style stylistic subjectivity Sunrise symbolic textual thematic tion traditional viewer visual
