Passport to Hollywood: Hollywood Films, European Directors

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SUNY Press, 11/09/1998 - 311 páginas
In Passport to Hollywood, James Morrison examines a series of Hollywood films by directors from European art-cinemas. Drawing widely on current research in film theory, film history, and cultural studies, he traces the influence of European filmmakers in Hollywood from the 1920s to the 1980s and illuminates the relation between modernism and mass-culture in American movies. By interpreting important American films, Morrison also shows how these films illustrate key issues of cultural hierarchy and national culture over fifty years of American cinema. In addition, he explores the complex and often contradictory ways that these Hollywood movies conceptualize ideas about foreignness. Using insightful close viewings, Morrison demonstrates new connections among modernism, postmodernism, and American movies.
 

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Índice

Hollywood as Modernisms Other The Case of Sunrise
29
Representation and Form Representing Nationality in This Land Is Mine
75
Masscult Modernism Modernist Masscult Cultural Hierarchy in Scarlet Street
109
UnAmerican Activities in 1950s Hollywood Hollywood Reading Europe Europe Reading Hollywood
145
Reinventing Otherness Petulia ArtCinema and the New Hollywood
175
Mythic SelfConsciousness and Homosexual Panic in the New Hollywood One Flew over the Cuckoos Nest and Deliverance
207
Cutters Way and New Hollywood Spectatorship
241
Coda
271
Notes
275
Bibliography
293
Index
305
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James Morrison is Associate Professor and Co-Director of Film Studies at North Carolina State University.

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