Performance and PowerPolity, 07/11/2011 - 232 páginas Performativity has emerged as a critical new idea across the humanities and social sciences, from literary and cultural studies to the study of gender and the philosophy of action. In this volume, Jeffrey Alexander demonstrates how performance can reorient our study of politics and society. Alexander develops a cultural pragmatics that shifts cultural sociology from texts to gestural meanings. Positioning social performance between ritual and strategy, he lays out the elements of social performance - from scripts to mise-en-scène, from critical mediation to audience reception - and systematically describes their tense interrelation. This is followed by a series of empirically oriented studies that demonstrate how cultural pragmatics transforms our approach to power. Alexander brings his new theory of social performance to bear on case studies that range from political to cultural power: Barack Obama's electoral campaign, American failure in the Iraqi war, the triumph of the Civil Rights Movement, terrorist violence on September 11th, public intellectuals, material icons, and social science itself. This path-breaking work by one of the world's leading social theorists will command a wide interdisciplinary readership. |
Índice
INTRODUCTION | 1 |
1 THE CULTURAL PRAGMATICS OF SYMBOLIC ACTION | 7 |
2 SOCIAL PERFORMANCE BETWEEN RITUAL AND STRATEGY | 25 |
3 PERFORMANCE AND THE CHALLENGE OF POWER | 82 |
4 SOCIAL POLITICAL CULTURAL AND PERFORMATIVE | 92 |
OBAMA V MCCAIN | 105 |
6 A PRESIDENTIAL PERFORMANCE PANNED OR OBAMA AS THE LAST ENLIGHTENMENT MAN | 137 |
THE CIVIL RIGHTS MOVEMENT | 147 |
8 PERFORMING TERROR ON SEPTEMBER 11 | 159 |
AFGHANISTAN AND IRAQ | 184 |
10 INTELLECTUALS AND PUBLIC PERFORMANCE | 195 |
THE ROLE OF THE CRITIC | 204 |
NOTES | 217 |
224 | |
242 | |
Outras edições - Ver tudo
Palavras e frases frequentes
achieve aesthetic allowed American anti-civil audience authenticity background representations Barack Barack Obama became become binary Birmingham campaign candidate challenge civil rights civil society civil sphere codes collective representations complex societies contemporary continue counter-performance create critical cultural pragmatics cultural sociology culture structures de-fused democracy democratic dramaturgical effect election elements of performance emerged empirical formance fused fusion groups hermeneutical hero historical iconic power identification ideological interpretive Iraq Iraq war jihad John McCain liminality material McCain means of symbolic military mise-en-scène modern moral movement MSNBC mundane myth narrative Obama objects one’s organization Ouroussoff performative contradictions political performances postmodern Powell president protagonists public intellectuals Republican ritual role sacred Schechner script sense September 11 significant social actors social dramas social performance social power solidarity speech stage struggle for power symbolic action symbolic production television terror terrorist theater theatrical theory Thespius tion tive traditional Turner voters Weber