Ukrainian Minstrels: And the Blind Shall Sing

Voorkant
M.E. Sharpe, 1998 - 360 pagina's
Among the many intriguing characteristics of the Ukrainian folk tradition is the fact that Ukrainian epics were sung by a special type of minstrel -- the blind mendicant. These minstrels were organized into professional guilds that set standards for training and performance and provided the singers with protection and support throughout their careers.

The separateness of Ukrainian culture became politically salient, and epic singers became the target of repression during the Stalin era (in 1939 there was a massacre of Ukrainian minstrels). For this reason -- and due also to tire secrecy that always surrounded the guilds' rites of membership and their association with mendicancy -- Ukrainian ministrelsy has been little studied.

Natalie Kononenko's work is thus a revelation of a distinctive folk tradition and a little-known social order. It will be of interest to anyone with an interest in folklore, Ukrainian culture, or rural social history.

 

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Inhoudsopgave

The Singers
3
An Overview
16
Common Stereotypes of Minstrels
34
Blindness
44
The Brotherhoods or Guilds
66
Apprenticeship Training and Initiation
86
Learning Minstrel Songs
108
Minstrel Guilds and the Orthodox Church
133
Minstrel Rites and Songs
199
The Begging Song and the Song of Gratitude
211
Religious Songs
220
Epics Dumy
239
Historical Songs
261
Secret Songs
273
Bibliographic Essay
282
Tables and Charts
299

The Influence
153
The Influence of Kobzari on Lirnyky
171
Conclusion
196
Bibliography
337
Index
349
Copyright

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Populaire passages

Pagina 323 - Zenon E. Kohut, Russian Centralism and Ukrainian Autonomy. Imperial Absorption of the Hetmanate, 1760s-1830s (Cambridge, Mass.: Ukrainian Research Institute, distr. by Harvard University Press, 1988), and Marc Raeff, "Ukraine and Imperial Russia: Intellectual and Political Encounters from the Seventeenth to the Nineteenth Century," in Potichnyj et al., Ukraine and Russia, pp.
Pagina 174 - Dostoevsky became known and widely read at the end of the nineteenth century and in the first decades of the twentieth century, they not only overshadowed Turgenev but were opposed to him as genuine interpreters of the Russian national scene.
Pagina 175 - ... Jakobson has shown, the two genres have similar verse and line structure. The prosodic features are nearly identical. There are long lines and short lines in both, and in both, the long line is used for a more elevated tone. In fact, Jakobson notes that "in all three Slavic areas where these genres exist, the epics and the laments prove to be closely interconnected structurally (and, in particular, in their metric form)."9 The content of epic and lament have much in common as well: Both combine...
Pagina 323 - ... unterschiedlichen naturbedingten agrarischen Nutzungssysteme und auf den Nahrungsspielraum (mit besonderer Beachtung der lebensnotwendigen Eiweißversorgung) können voll überzeugen. Für Vergleichsstudien besitzt diese Untersuchung daher einen besonderen Pilotcharakter. Göttingen Diedrich Saalfeld FRANK E. SYSYN, Between Poland and Ukraine. The Dilemma of Adam Kysil, 1600-1653. Cambridge, Mass., Harvard University Press 1985. XX, 406 S., $ 13,50. In der ukrainischen Geschichtsschreibung stellt...
Pagina ii - Folklores and Folk Cultures of Eastern Europe SERIES EDITOR: Linda J. Ivanits Department of Slavic Languages Pennsylvania State University Ukrainian Minstrels And the Blind Shall Sing Natalie Kononenko An Anthology of Russian Folk Epics Translated with an Introduction and Commentary by James Bailey and Tatyana Ivanova AN ANTHOLOGY OF RUSSIAN FOLK EPICS Translated with an Introduction and Commentary by JAMES BAILEY AND TATYANA IVANOVA cM.E.Sharpe Armonk, New York London, England Uiw.
Pagina 93 - Then he took me in his arms and carried me into the parlor, for we were close to the house, and there the terrified servants followed us.
Pagina 54 - Choosing a profession on the basis of aptitude was just not something done in traditional Ukraine. In fact, since virtually everyone did agricultural work, professions were essentially nonexistent. If a boy was blind, agricultural work was impossible, so he could be either a minstrel or a beggar. Begging was shameful, but minstrelsy was "honest work.
Pagina xi - For a long time, I had trouble accepting that blindness was obligatory to minstrelsy in Ukraine. I assumed that blindness in the Ukrainian tradition functioned the same way that it did in other traditions with which I was familiar: more as a symbol of past excellence than as a real trait of actual performers.
Pagina 56 - Suprun attended automatically assumed that all of their charges had a particular predisposition to music, and encouraged all of them to sing. The Supruns themselves shared this view and felt that blindness fostered better memory and thus made the blind better performers.67 Nadiia gave another reason why blindness is associated with singing, reminiscent of the ideas in Shevchenko's "Perebendia" — namely that those who suffer have a particular need for song because singing relieves pain.

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