Gies mony a doctor his degrees For little skaith: In short, you may be what you please Wi' gude Braid Claith. For thof ye had as wise a snout on Till they cou'd see ye wi' a suit on O' gude Braith Claith. Q 2 ELEGY ON THE DEATH OF SCOTS MUSIC. Mark it, Cæsario; it is old and plain, The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, SHAKESPEARE'S TWELFTH NIGHT. ON Scotia's plains, in days of yore, In hamely weid; But Harmony is now no more, And Music dead. Round her the feather'd choir would wing, Sae bonnily she wont to sing, And sleely wake the sleeping string, Their sang to lead, Sweet as the zephyrs o' the spring; But now she's dead. Mourn ilka nymph and ilka swain, Let weeping streams and Naiads drain Let Echo swell the dolefu' strain Sin' Music's dead. Whan the saft vernal breezes ca' Near hill or mead, On chaunter or on aiten straw, Sin' music's dead. Nae lasses now, on simmer days, Delight to chaunt their hameil lays, At glomin now the bagpipe's dumb, Whan weary owsen hameward come; Sae sweetly as it wont to bum, And Pibrachs skreed; We never hear its weirlike hum, For music's dead. Macgibbon's gane: Ah! waes my heart! And tune the reed, Wi' sic a slee and pawky art; But now he's dead. Ilk carline now may grunt and grane, The blythest sangster on the plain, Now foreign sonnets bear the gree, O' sounds fresh sprung frae Italy, A bastard breed! Unlike that saft-tongu'd melody Whilk now lies dead. Cou'd lav'rocks at the dawning day, O'er gowden bed, Compare wi' Birks of Indermay? But now they're dead. |