Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 páginas It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Página 11
... dramatic poets - had to find their place . By then ( as I will show ) , the distinction between dramatic text and theatrical perfor- mance had displaced the medieval distinction between merely reciting plays and " represent [ ing ] ...
... dramatic poets - had to find their place . By then ( as I will show ) , the distinction between dramatic text and theatrical perfor- mance had displaced the medieval distinction between merely reciting plays and " represent [ ing ] ...
Página 24
... dramatic dialogue.32 Classical texts , humanist drama , plays intended for professional troupes , chapbook dialogues , and all the var- ious dramatic forms continued to exert reciprocal influences throughout the period , no single form ...
... dramatic dialogue.32 Classical texts , humanist drama , plays intended for professional troupes , chapbook dialogues , and all the var- ious dramatic forms continued to exert reciprocal influences throughout the period , no single form ...
Página 170
... dramatic genres , at the same time reinforcing the distinction of staged dramatic form from other forms of literate text . Texts like Francesco Andreini's The Bravery of Captain Spavento Divided in Many Arguments ( 1607 ) , a collection ...
... dramatic genres , at the same time reinforcing the distinction of staged dramatic form from other forms of literate text . Texts like Francesco Andreini's The Bravery of Captain Spavento Divided in Many Arguments ( 1607 ) , a collection ...
Índice
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Direitos de autor | |
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Outras edições - Ver tudo
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Pré-visualização limitada - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Pré-visualização limitada - 2000 |
Palavras e frases frequentes
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes
Referências a este livro
The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Pré-visualização indisponível - 2006 |