The Romantic GenerationHarvard University Press, 20/04/1995 - 723 páginas What Charles Rosen's celebrated book The Classical Style did for music of the Classical period, this new, much-awaited volume brilliantly does for the Romantic era. An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music. In readings uniquely informed by his performing experience, Rosen offers consistently acute and thoroughly engaging analyses of works by Schubert, Schumann, Mendelssohn, Bellini, Liszt, and Berlioz, and he presents a new view of Chopin as a master of polyphony and large-scale form. He adeptly integrates his observations on the music with reflections on the art, literature, drama, and philosophy of the time, and thus shows us the major figures of Romantic music within their intellectual and cultural context. |
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Resultados 1-3 de 41
... F sharp minor ; the voice enters with a clear A major cadence . The controversy about the real key of the song seems to me largely misguided , although Schenkerians , who insist on A major , have the obvious advantage , since only the A ...
... F Minor ( op . 52 ) , 327 , 337-342 , 342 , 367 , 432 , 447 , 466 , 703 ; 338 , 340-41 , 367 Barcarolle ( op . 60 ) ... sharp Minor ( no . 4 ) , 371 E flat Minor ( no . 6 ) , 371 , 378-380 ; 378- 379 , 380 F Minor ( no . 9 ) , 494 ; 494 A ...
... F Major ( op . 15 , no . 1 ) , 357 ; 357 Nocturne in F sharp Major ( op . 15 , no . 2 ) , 307 , 405-407 ; 307 , 405 , 406 , 406- 407 Nocturne in G Minor ( op . 15 , no . 3 ) , 345– 346 ; 345-346 Nocturne in D flat Major ( op . 27 , no ...
Índice
ONE Music and Sound | 1 |
the absent melody 7 Classical | 38 |
The Fragment as Romantic form 48 Open and closed 51 Words | 98 |
Direitos de autor | |
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