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Obscurity, not unfavourable to, 34. In
buildings, 35. Heroism, ibid. Great
virtue, 36. Whether there is any one
fundamental quality in the sources of
sublime, ibid.

Sublimity in writing, 310. Errors in Lon
ginus pointed out, ibid. The most an
cient writers afford the most striking in-
stances of sublimity, 311. Sublime re-
presentation of the Deity in Psalm xviii.
39. And in the prophet Habakkuk, 40.
In Moses and Isaiah, ibid. Instances of
sublimity in Homer, ibid. In Ossian,
42. Amplification injurious to sublimi-
ty, ibid. Rhyme in English verse unfa-
vourable to, 43. Strength essential to
sublime writing, 44. A proper choice

of circumstances essential to sublime
description, 45. Strictures on Virgil's
description of Mount Etna, 46. The
proper sources of the sublime, 47. Sub-
limity consists in the thought, not in the
words, 48. The faults opposed to the
sublime, ibid.
Sully, Duke de, character of his memoirs,
408.

Superstition, sublime representation of its
dominion over mankind, from Lucretius,
34, note.

Swift, observations on his style, 104, 111,
120, 131, 142. General character of his
style, 202. Critical examination of the
beginning of his proposals for correct-
ing, &c. the English tongue, 250. Con-
cluding observations, 259. His lan
guage, 383. Character of his epistola-
ry writing, 416.

Syllables, English, cannot be exactly mea
sured by metrical feet, as those of Greek
and Latin, 139.

Synecdoche, in figurative style, explained,
157.

Synonymous words, observations on, 108.

T.

Tacitus, character of his style, 197. His
character as an historian, 402. His hap-
py manner of introducing incidental ob-
servations, ibid. Instance of his success-
ful talent in historical painting, 406
His defects as a writer, 408.
Tasso, a passage from his Gierusalemme
distinguished by the harmony of num
bers, 145. Strained sentiments in his
pastorals, 443. Character of his Amin-
ta, 487. Critical examination of his
poem, 496.

Taste, true, the uses of in common life, 14.
Definition of, 16. Is more or less com-
mon to all men, 17. Is an improvable
faculty, 18. How to be refined, 19. Is
assisted by reason, 19 A good heart
requisite to a just taste, 20. Delicacy
and correctness the characters of perfect
taste, ibid. Whether there be any stan-
dard of taste, 22. The diversity of, in
different men, no evidence of their tastes

being corrupted, ibid. The test of, re
ferred to the concurring voice of the pol
ished part of mankind, 25. Distinguish.
ed from genius, 29. The sources of
pleasure in, 30. The powers of, enlarge
the sphere of our pleasures, 31. Imi
tations as a source of pleasure, 55. Mu
sic, ibid. To what class the pleasures
received from eloquence, poetry, and
fine writing, are to be referred, 56.
Telemachus. See Fenelon.
Temple, Sir William, observations of his
style, 106. Specimens, 113, 120, 122,
125, 139.
His general character as a
writer, 208.

Terence, beautiful instance of simplicity
from, 209. His character as a dramatic
writer, 538.

Terminations of words, the variation of,
in the Greek and Latin languages, fa
vourable to the liberty of transposition,

70.
Theocritus, the earliest known writer of
pastorals, 434. His talents in painting
rurai scenery, 435. Character of his
pastorals, 439.

Thomson, fine passage from, where he
animates all nature, 176. Character of
his Seasons, 453. His eulogium by Dr
Johnson, ibid, note.

Thuanus, his character as an historian, 398.
Thucydides, his character as an historian,
396. Was the first who introduced ora-
tions in historical narration, 405.
Tillotson, Archbishop, observations on his
style, 106, 118, 139, 161. General cha-
racter of as a writer, 208.
Tones, the due management of, in public
speaking, 373.

Topics, among the ancient rhetoricians,
explained, 353.

Tragedy, how distinguished from comedy,
506. More particular definition of, 507.
Subject and conduct of, 508. Rise and
progress of, 509. The three dramatic
unities, 511.
Division of the represen-
tation into acts, 513. The catastrophe,
514. Why the sorrow excited by tra-
gedy communicates pleasures, ibid.
Proper iden of scenes, and how to be
conducted, 516. Characters, 520. High-
er degrees of morality inculcated by mo-
dern than by ancient tragedy, 521. Too
great use made of the passion of love
on the modern stages, ibid. All trage-
dies expected to be pathetic, 522. The
proper use of moral reflections in 524.
The proper style and versification, 525.
Brief view of the Greek stage, 526.
French tragedy, 528. English tragedy,
530. Concluding observations, 532.
Tropes, a definition of, 148. Origin of, 150
The rhetorical distinctions among frivo
lous, 156.

Turnus, the character of, not favourably
treated in the Æneid, 491.

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Vanburgh, his character as a dramatic
writer, 542.

Verbs, their nature and office explained,
89. No sentence complete without a
verb, expressed cr implied, 90. The
tenses, ibid. The advantage of English
over the Latin, in the variety of tenses,
91. Active and passive, ibid. Are the
most artificial and complex of all the
parts of speech, 92.

Verse, blank, more favourable to sublimity
than rhyme, 43. Instructions for the
reading of, 371. Construction of, 431.
Virgil, instances of sublimity in, 33, 45,
46. Of harmony, 145, 146. Simplicity
of language, 149. Figurative language,
157, 174, 179. Specimens of his pasto-
ral descriptions, 435, note, 438. Charac-
ter of his pastorals, 439. His Georgics,
a perfect model of didactic poetry, 447.
Beautiful descriptions in his Æneid, 456.
Critical examination of that poem, 489.
Compared with Homer, 491.
Virtue, high degrees of, a source of the
sublime, 36. A necessary ingredient to
form an eloquent orator, 378.

Vision, the figure of speech so termed, in
what it consists, 190.

Unilies, dramatic, the advantages of ad-
nering to, 511. Why the moderns are
iess restricted to the unities of time and
place than the ancients, 518.

Voice, the powers of, to be studied in pub-
lic speaking, 366.

Voiture, character of his epistolary wri-
tings, 416.

Vollaire, his character as an historian, 40"
Critical examination of his Henriuae,
502. His argument for the use of rhyme
ia dramatic composition, 525. His cha
racter as a tragic poet, 529.
Vossius, Joannes Gerardus, character of
his writings on eloquence, 385.

W.

Waller, the first English poet who brough
couplets into vogue, 432.

Wit, is to be very sparingly used at the
bar, 304.

Words, obsolete, and new coined, incon-
gruous with purity of style, 103.
Bad
consequences of their being ill chosen,
104. Observations on those termed sy
nonymous, 108. Considered with refer
ence to sound, 134.

Words, and things, instances of the ana-
logy between, 61.

Writers of genius, why they have been
more numerous in one age than another,
387. Four happy ages of, pointed out,
388.

Writing, two kinds of, distinguished, 72
Pictures, the first essay in, ibid. Hiero-
glyphic, the second, 73. Chinese cha-
racters, 74. Arithmetical figures, 75.

The considerations which led to the in-
vention of an alphabet, ibid. Cadmus's
alphabet the origin of that now used, 76.
Historical account of the materials used
to receive writing, 77. General remarks,
ibid. See Grammar.

Y.

Young, Dr. his poetical character, 167
Too fond of antithesis, 188. The meri:
of his works examined, 451. His cha
racter as a tragic poet, 532.

THE END

INFANT AND PRIMARY

SCHOOL SERIES.

IN THREE VOLUMES.

KAY'S INFANT AND PRIMARY SCHOOL READER And Definer, No. 1, contains no word of more than THREE LETTERS, and comprises all the words of Two and Three Letters in the English language.

Every Syllable which occurs in it, or the Two next Volumes, is a Complete Word. The Lessons are strictly, and by very gradual steps, Progressive.

Each single OBJECT occurring in the Lessons is represented by a large and handsome ENGRAVING-upwards of 100 in number.

All the Words are collected in Spelling Coluinns, and are classed under their vowel sounds according to Wa'ker's Standard- -the name-sounds first; so as to teach the child a correct Pronunciation in connexion with Orthography.

Initiatory MODELS FOR DRAWING, on the Slate or Paper, are also furnished, to form a taste for Design, and to amuse and occupy the time of the child in the intervals of his Lessons.

The Author recommends, as a great economy in time and a delightful method of instruction, that the child should be taught to read as far as the 29th page of the book, before he is made acquainted with the letters, or rather the names of the letters, of the alphabet. This, however, is left to the discretion of the instructor: the book is suited to either method of tuition.

KAY'S INFANT AND PRIMARY SCHOOL Reader and Definer, No. 2, comprises Lessons in Prose and Poetry in words of ONE SYLLABLE only, from the easiest to the most difficult; with numerous Engravings carefully adapted to the Text. The LESSONS IN DRAWING are carried on by numerous progressive Models, In the Spelling Department the words to be spelled are MONOSYLLABLES, accompanied by Definitions also in words of ONE SYLLABLE; and the Pronunciation conforms to Walker, and makes use of his Notation.

EXERCISES IN WRITING are also given, to be copied on the Slate, initiatory to a more systematic study of the art. Besides which, all the words of the Spelling Lessons are repeated in the margin in the writing character; the copying of which will ground the Orthography in the mind of the child, and show him its practical value. He thereby will also be taught to read manuscript.

KAY'S INFANT AND PRIMARY SCHOOL READER AND DEFINER, No. 3, consists of Lessons in Prose and Poetry in words of not more than Two SYLLABLES from the easiest to the most difficult; with numerous Pictorial Embellishments.

The LESSONS IN DRAWING are completed, by numerous Progressive Models. The Spelling, Defining and Pronouncing pages consist, and thus constitute a Dictionary, of the words which occur in the preceding Reading Lessons; the Definitions of which are given also in DISSYLLABles.

Here the Series closes; as the Author conceives that the Pupil who has thoroughly studied these little volumes will readily master any book which a sound discretion would subsequently place in his hands.

To those who seek to encourage a familiarity with the Anglo-Saxon portion of our language, these books will be a desideratum; as, with rare exceptions, all the words which have been used in them are Saxon in their derivation, and constitute therefore the staple of that noble language which is destined to be the mother tongue of by far the greater part of this vast continent.

These volumes are remarkable for beauty and strength of Binding and Paper; elegance, plainness and largeness of Typography; and frequency and appropriateness of Embellishments-in all 400 in number.

Teachers and Parents are invited to examine them; and are recommended to peruse the Prefaces, for a detailed statement of their peculiar features.

Kay's Infant and Primary School Readers and Definers.

Excerpts from Notices by the Press.

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We do not see how it is possible to prepare a more admirable system for the purpose intended. It appears to have been compiled by a master hand.-Sat. Courier. This Series is beautifully executed.

So various and comprehensive a series, and one so cleverly got up, has not before made its appearance.—Messenger.

Mr J. ORVILLE TAYLOR, of New York, so well known as the zealous and eloquent advocate of National Education, has given these books his strong approval, and recommends them, in preference to all others, in his Public Lectures.

Excerpts from Critiques by 50 Teachers.

THE following are Excerpts from the Testimonials of Teachers now in th Publishers, which are printed in extenso, with the names and residences o Prospectus which will be given to all who may apply for it.

"I have been exceedingly gratified by a perusal of them..... I consider your books superior to any now in use."

"I believe them to be much better adapted for the purpose, than any work with which I am acquainted."

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"I feel no hesitation in recommending it [the Series] as the best work for promoting the object intended with which I am acquainted."

Kay's Infant and Primary School Series appears to me to be a work in every respect adapted to the wants of children who are just entering on the study of written language.. In these little volumes, words are truly the signs of ideas. Here the child may not only be taught to ead with facility, but, almost unaided, to understand what he reads. . . . . So numerous and important are the advantages presented to both teacher and pupil, that a more extended acquaintance with the work cannot fail to secure its general adoption in Primary Schools."

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"Some of its features are as novel as they are valuable; and it combines more, for the size and price, than any thing of the kind which has fallen under my notice."

"I have looked through the Series with great satisfaction. The progressive theory which you have adopted is excellently suited to lead on the young mind by sure and not too laborious steps. The carrying out of the plan is generally successful."

"I consider them, in all points, to be superior to any books for the like purpose with which I am acquainted."

"I take pleasure in pronouncing on them a most favourable opinion........ better adapted to the purpose for which they were designed, than any other school book with which I am familiar."

"To Teachers of Primary Schools this Series will be a valuable auxiliary. The hope is cordially expressed, that the enterprise of the Publishers may be rewarded according to the merits of the work alone, which, in the opinion of the Subscriber, will amply repay them."

"I confidently pronounce them superior to any books of the kind I have ever seen."

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Esteeming it decidedly the best elementary work which I have seen, I hope it will be generally introduced into the schools for which it is designed."

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Kay's Infant and Primary School Readers and Definers.

"I should predict many benefits will result from the general introduction of these works into schools, in which, I trust, my own will share."

Having critically examined these beautiful little works, I cheerfully recommend them to teachers."

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"I have no hesitation in pronouncing them to be by far the best books of the kind for young persons in our language.' Having used them, I am convinced that every one who will give them a trial, will find them to interest their pupils, and advance their progress, more than anything of the kind that has yet appeared."

Upon the whole, I am constrained to believe it to be the best work of the kind with which I am acquainted."

"I consider the plan well calculated to bring forward the younger class of Scholars. Accordingly, I have introduced it into my schools."

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"Parents and Teachers who wish for books both attractive and interesting, will find these to be just what they require." "The designer of Kay's Series' has produced a work, in my opinion, superior, in very many respects to the works of those who have gone befo. him."

"They are, in my judgment, better, much better calculated for the purpose for which they are intended, than all put together that have preceded them; and I trust that the public will join me in this opinion." "I should have no hesitancy in at once placing them in the hands of beginners, in preference to all others."

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"I have carefully examined 'Kay's Series,' and feel no hesitation in saying that I consider them superior to any series of the kind now extant.'

"I have just finished a careful examination of Kay's Series,' and rarely, if ever, have I met with a work for children which made so favourable an impression on my mind. The author seems to possess the happy art of converting what was deemed labour to pastime, and pain to pleasure..... Henceforth children may be taught to speak their first words from his books. The author has, in my judgment, discovered and adopted the true simplicity of nature. I can but regard its publication as an era in American education indeed in the English language."

"I have diligently examined 'Kay's Series, and think it superiorly well adapted to the improvement of the infant mind."

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"The theory of teaching written language, as exemplified in Kay's Progressive Series' of Reading Books, is, in my opinion, the true one; and the practice upon it must lead to the happiest issues. It is nature's method of teaching written language. I shall lose no time in introducing them into my school."

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"I have carefully examined 'Kay's Progressive Series.' I think they are admirably adapted to the capacity of children. I shal introduce them into my Primary School."

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Having for a length of time experienced the want of some introductory work, suited to the capacity of the child-one by which his ideas might be taught to assume a tangible form, from the matter presented to his mind-we have carefully and attentively examined Kay's Infant and Primary School Reader, in three volumes,' a work purporting to supply the deficiency complained of, and we have no hesitation in giving it our decided and unqualified approval. The works heretofore in use have presented a mass of matter, without any adaptation to the comprehension of those for whom they were intended; the intellectual food was too gross for the delicate constitution of the infant mind, and tended rather to injure than improve its tone.... The best evidence of our approval, is the introduction of the work into our school."

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