Lectures on Rhetoric and Belles LettresKay & Troutman, 1849 - 557 páginas |
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Página 37
... effect does it produce ? port ? Which forms the critic ; and What is the nature of the emotion that which the poet and orator ? On the it produces ; and from what is this common acceptation of the word genius , very distinguishable ? In ...
... effect does it produce ? port ? Which forms the critic ; and What is the nature of the emotion that which the poet and orator ? On the it produces ; and from what is this common acceptation of the word genius , very distinguishable ? In ...
Página 37
... effect do they produce ? Repeat the 4 . instances given from Corneille , from Porus and Alexander , and from Cæsar and the pilot . Where are we struck with a sense of the sublime ? Repeat the passage from Akenside . What is the most ...
... effect do they produce ? Repeat the 4 . instances given from Corneille , from Porus and Alexander , and from Cæsar and the pilot . Where are we struck with a sense of the sublime ? Repeat the passage from Akenside . What is the most ...
Página 49
... effect of passage has Longinus bestowed high the idea here presented , appear in a and just commendations ? What is said still stronger light ? What do such in- of the passage in the 20th book , where stances show ? Where are the proper ...
... effect of passage has Longinus bestowed high the idea here presented , appear in a and just commendations ? What is said still stronger light ? What do such in- of the passage in the 20th book , where stances show ? Where are the proper ...
Página 60
... effect without a cause . There must have always been some motive which led to the assignation of one name rather than an- other ; and we can conceive no motive which would more generally operate upon men in their first efforts towards ...
... effect without a cause . There must have always been some motive which led to the assignation of one name rather than an- other ; and we can conceive no motive which would more generally operate upon men in their first efforts towards ...
Página 68
... effect without a cause ; and why ? In this case , what motive would operate most generally ? Where was the imita- tion of words abundantly evident ; and why ? Thus , in all languages , what do we find ? How is this illustrated ? Where ...
... effect without a cause ; and why ? In this case , what motive would operate most generally ? Where was the imita- tion of words abundantly evident ; and why ? Thus , in all languages , what do we find ? How is this illustrated ? Where ...
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Palavras e frases frequentes
action advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek guage hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Passagens conhecidas
Página 168 - Thou hast brought a vine out of Egypt : Thou hast cast out the heathen, and planted it. Thou preparedst room before it, And didst cause it to take deep root, And it filled the land. The hills were covered with the shadow of it, And the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, And her branches unto the river.
Página 179 - How art thou fallen from Heaven, O Lucifer, son of the morning ! how art thou cut down to the ground, which didst weaken the nations...
Página 452 - Gently o'er the accustomed oak. Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among I woo, to hear thy even-song; And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Página 461 - And the parched ground shall become a pool, and the thirsty land springs of water : in the habitation of dragons where each lay, shall be grass with reeds and rushes.
Página 452 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Página 459 - Give unto the LORD the glory due unto his name : bring an offering, and come into his courts. O worship the LORD in the beauty of holiness : fear before him, all the earth.
Página 44 - Arch-Angel ruin'd, and the excess Of glory obscured : as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Página 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind. He made darkness his secret place: his pavilion round about him were dark waters and thick clouds of the skies.
Página 459 - Who shall ascend into the hill of the Lord? and who shall stand in his holy place? He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully.
Página 217 - It is this sense which furnishes the imagination with its ideas, so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.