Ordinary Pleasures: Couples, Conversation, and ComedyOhio State University Press, 2001 - 217 páginas This text seeks to offer a new theory of narrative in its uncovering of how conversations and comic interchanges between lovers in stories create an intimacy and happiness of the everyday. Drawing on a diverse body of theory (from sociolinguistics to philosophy to literary criticism) and reading an unexpectedly eclectic group of texts (works by Shakespeare and Tolstoy appear beside Casablanca and I Love Lucy) Kay Young explores how narrative couples play together, struggle together, and return to one another to experience what it means to be in a relationship over time. |
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Página 12
... audience to an embodied couple in a film or on stage , we perceive bodies speaking and moving , most often without the mediating presence of a narrator . Our eyes and ears are fed by the sensory presence of an " actual " couple . The ...
... audience to an embodied couple in a film or on stage , we perceive bodies speaking and moving , most often without the mediating presence of a narrator . Our eyes and ears are fed by the sensory presence of an " actual " couple . The ...
Página 109
... audience for whom he or she performs ( in which case the audience acts as the partner to the comedian ) , team com- edy is about play shared between those to whom the audience happens to have access . The audience / readers do not have ...
... audience for whom he or she performs ( in which case the audience acts as the partner to the comedian ) , team com- edy is about play shared between those to whom the audience happens to have access . The audience / readers do not have ...
Página 110
... audience functions as voyeur . If each partner of the couple acts as " open " audience / performer to the other , the hidden audience is rel- egated to silence for being the veiled " third wheel " who shouldn't have access to what goes ...
... audience functions as voyeur . If each partner of the couple acts as " open " audience / performer to the other , the hidden audience is rel- egated to silence for being the veiled " third wheel " who shouldn't have access to what goes ...
Índice
INTIMACY | 3 |
Conversation Makes the Couple | 17 |
Couples and Their Plots | 37 |
Direitos de autor | |
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Palavras e frases frequentes
acknowledgment Agathon Alcibiades Anna Karenina Antony asserts Astaire audience Benedick body CARY GRANT characters CLARK GABLE Cleopatra clown comedy's comic conversation couple couple's create dance Darcy Darcy's DEBORAH KERR defines desire dialogue discourse Elizabeth exchange explore Eyre feel film frame Gadamer genre Ginger Rogers Happened One Night happiness HUMPHREY BOGART INGRID BERGMAN interaction intimacy invention Jane Jane's joke Kitty and Levin Kitty/Levin knowledge language laugh lives Love Lucy lovers Lucy and Ricky Lucy's marriage married means mutual MYRNA LOY narrative narrator Nichols Nick and Nora novel ongoing ordinary partners partnership performance play pleasure plot position possibility presence prompts questions response reveals Rhett Ricky's Rochester Rochester's romantic comedy routine scene screwball comedy sense sexual shared situation comedy Socrates speak speech story structure talk team comedy tell things tion Tolstoy truth understand vaudeville versation VIVIEN LEIGH voice WILLIAM POWELL Wittgenstein woman words writes
Referências a este livro
The Female Complaint: The Unfinished Business of Sentimentality in American ... Lauren Berlant Pré-visualização limitada - 2008 |