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King. Methinks, in thee some blessed spirit doth speak; His powerful sound, within an organ weak:3 And what impossibility would slay In common sense, sense saves another way.” Thy life is dear; for all, that life can rate Worth name of life, in thee hath estimate;5

Tax of impudence, that is, to be charged with having the bold. ness of a strumpet:-a divulged shame; i. e. to be traduced by odious ballads : my maiden's name seared otherwise; i. e. to be stigmatized as a prostitute:--no worse of worst extended; i. e. to be so defamed that nothing severer can be said against those who are most publickly reported to be infamous. Shakspeare has used the word sear and extended in The Winter's Tale, both in the same sense as above:

for calumny will sear " Virtue itself!". And " The report of her is extended more than can be thought.”

Henley. The old copy reads, not no, but ne, probably an error for nay, or the. I would wish to read and point the latter part of the pas

sage thus:

my maiden's name
Seart otherwise; nay, worst of worst, extended

With vilest torture, let my life be ended. i.e. Let me be otherwise branded ;-and (what is the worst of worst the consummation of misery) my body being extended on the rack by the most cruel torture, let my life pay the forfeit of my presumption. So, in Daniel's Cleopatra, 1594

the worst of worst of ills.”
No was introduced by the editor of the second folio.
Again, in The Remedie of Love, 4to. 1600:

- If she be fat, then she is swollen, say,
“If browne, then tawny as the Africk Moore;

“ If slender, leane, meagre and worne away,

If courtly, wanton, worst of worst before.” Malone. 3 Methinks, in thee some blessed spirit doth speak;

His powerful sound, within an organ weak:] The verb, doth speak, in the first line, should be understood to be repeated in the construction of the second, thus:

His powerful sound speaks within a weak organ. Heath. This, in my opinion, is a very just and happy explanation.

Steevens. 4 And what impossibility would slay

In common sense, sense saves another way.] i.e. and that which, if I trusted to my reason, I should think impossible, I yet, perceiving thee to be actuated by some blessed spirit, think thee. capable of effecting. Malone.

Youth, beauty, wisdom, courage, virtue, all:6
That happiness and prime? can happy call:
Thou this to hazard, needs must intimate
Skill infinite, or monstrous desperate.
Sweet practiser, thy physick I will try;
That ministers thine own death, if I die.

Hel. If I break time, or flinch in property &
Of what I spoke, unpitied let me die;
And well deserv'd: Not helping, death 's my fee;
But, if I help, what do you promise me?

King. Make thy demand.
Hel.

But will you make it even? King. Ay, by my sceptre, and my hopes of heaven.'

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in thee hath estimate ;] May be counted among the gifts enjoyed by thee. Fohnson.

6 Youth, beauty, wisdom, courage, virtue, all --] The old copy omits virtue. It was supplied by Dr. Warburton, to remedy a defect in the measure. Steevens.

1-prime-) Youth ; the spring or morning of life. Fohnson.

Should we not read-pride.' Dr. Johnson explains prime to mean youth; and indeed 'I do not see any other plausible inter. pretation that can be given of it. But how does that suit with the context ? “ You have all that is worth the name of life ; youth, beauty, &c. all, That happiness and youth can happy call." -Happiness and pride mav signify, I think, the pride of happiness; the proudest state of happiness. So, in The Second Part of Henry IV, Act III, sc. i, the voice and echo, is put for the voice of echo, or, the echoing voice. Tirwhitt.

I think, with Dr. Johnson, that prime is here used as a sub. stantive, but that it means, that sprightly vigour which usually accompanies us in the prime of life. So, in Montaigne's Essaies, translated by Florio, 1603, B. II, ch. 6: “ Many things seeme greater by imagination, than by effect. I have passed over a good part of my age in sound and perfect health. I sav, not only sound, but blithe and wantonly-lustful. That state, full of lust

, of prime and mirth, made me deeme the consideration of sick. nesses so yrksome, that when I came to the experience of them, I have found their fits but weak." Malone.

- in property --] In property seems to be here used, with much laxity, for--in the due performance. In a subsequent passage it seems to mean either a thing possessed, or a subject discrimi. nated by peculiar qualities:

“ The property by what it is should go,

“ Not by the title.” Malone. 9 Ay, by my sceptre, and my hopes of heaven.] The old copy reads :

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Hel. Then shalt thou give me, with thy kingly hand, What husband in thy power I will command: Exempted be from me the arrogance To choose from forth the royal blood of France; My low and humble name to propagate With any branch or image of thy state:1 But such a one, thy vassal, whom I know Is free for me to ask, thee to bestow.

King. Here is my hand; the premises observ'd, Thy will by my performance shall be serv'd; So make the choice of thy own time; for I, Thy resolv'd patient, on thee still rely. More should I question thee, and more I must; Though, more to know, could not be more to trust; From whence thou cam'st, how tended on,-But rest Unquestion’d welcome, and undoubted blest.Give me some help here, ho!-If thou proceed As high as word, my deed shall match thy deed.

[Flourish. Exeunt.

my hopes of help. Steevens. The King could have but a very slight hope of help from her, scarce enough to swear by: and therefore Helen might suspect he meant to equivocate with her. Besides, observe, the greatest part of the scene is strictly in rhyme: and there is no shadow of reason why it should be interrupted here. I rather imagine the poet wrote:

Ay, by my sceptre, and my hopes of heaven. Thirlby. 1 With any branch or image of thy state:] Shakspeare unquestionably wrote impage, grafting. Impe, a graff, or slip, or sucker: by which she means one of the sons of France. Caxton calls our Prince Arthur, that noble impe of fame. Warburton.

Image is surely the true reading, and may mean any repre. sentative of thine; i. e. any one who resembles you as being related to your family, or as a prince reflects any part of your state and majesty. There is no such word as impage; and, as Mr. M. Mason observes, were such a one coined, it would mean nothing but the art of grafting. Mr. Henley adds, that branch refers to the collateral descendants of the royal blood, and image to the direct and immediate line. Steevens.

Our author again uses the word image in the same sense as here, in his Rape of Lucrece:

“O, from thy cheeks my image thou hast torn.” Malone. SCENE II.

Rousillon.

A Room in the Countess's Palace.

Enter Countess and Clown. Count. Come on, sir; I shall now put you to the height of your breeding.

Clo. I will show myself highly fed, and lowly taught: I know my business is but to the court.

Count. To the court! why, what place make you spe. cial, when you put off that with such contempt? But to the court!

Clo. Truly, madam, if God have lent a man any man. ners, he may easily put it off at court: he that cannot make a leg, put off 's cap, kiss his hand, and say nothing, has neither leg, hands, lip, nor cap: and indeed such a fellow, to say precisely, were not for the court: but, for me, I have an answer will serve all men.

Count. Marry, that 's a bountiful answer, that fits all questions.

Clo. It is like a barber's chair, that fits all buttocks;2 the pin-buttock, the quatch-buttock, the brawn-buttock, or any buttock.

Count. Will your answer serve fit to all questions?

Clo. As fit as ten groats is for the hand of an attorney, as your French crown for your taffata punk, as Tib's rush for Tom's fore-finger, 3 as a pancake for Shrove

2 It is like a barber's chair, &c.] This expression is proverbial. See Ray's Proverbs, and Burton's Anat. of Melancholy, edit. 1632,

p. 666.

Again, in More Fools Yet, by R. S. a collection of Epigrams, 4to. 1610:

“ Moreover sattin sutes he doth compare
“ Unto the service of a barber's chayre;
As fit for every Jacke and journeyman,
As for a knight or worthy gentleman.” Steevens.

Tib's rush, for Tom's fore-finger,] Tom is the man, and by Tib we are to understand the woman, and therefore, more properly we might read-Tom's rush for, &c. The allusion is to an ancient practice of marrying with a rush ring, as well in other countries as in England. Breval, in his Antiqui. ties of Paris, mentions it as a kind of espousal used in France, by such persons as meant to live together in a state of concubi.

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tuesday, a morris for May-day, as the nail to his hole, the cuckold to his horn, as a scolding quean to a wrang

nage: but in England it was scarce ever practised except by designing men, for the purpose of corrupting those young women to whom they pretended love.

Richard Poore, bishop of Salisbury, in bis Constitutions, anni, 1217, forbids the putting of rush rings, or any the like matter, on women's fingers, in order to the debauching them more readily: and he insinuates, as the reason for the prohibition, that there were some people weak enough to believe, that what was thus done in jest, was a real marriage.

But, notwithstanding this censure on it, the practice was not abolished; for it is alluded to in a song in a play written by Sir William D'Avenant, called The Rivals:

“I'll crown thee with a garland of straw then,

" And I'll marry thee with a rush ring." which song, by the way, was first sung by Miss Davis; she acted the part of Celania in the play; and King Charles II, upon hear. ing it, was so pleased with her voice and action, that he took her from the stage, and made her his mistress.

Again, in the song called The Winchester Wedding, in D’Urfey's Pills to purge Melancholy, Vol. I, p. 276:

“ Pert Strephon was kind to Betty,

“ And blithe as a bird in the spring; “ And Tommy was so to Katy,

“ And wedded her with a rush ring.Sir F. Hawkins. Tib and Tom, in plain English, I believe, stand for wanton rogue. So, in Churchyard's Choise:

“ Tushe, that 's a tove; let Tomkin talke of Tibb." Again, in the Queenes Majesties Entertainment in Suffvik and Nor. folk, &c. by Tho. Churchyard, 4to. no date:

and

CUPID.

“ And doth not Fove and Mars bear sway? Tush, that is true.”

PHILOSOPHER. “ Then put in Tom and Tibbe, and all beares sway as much

as you.” Steevens. An anonymous writer, Mr. Ritson) with some probability, supposes that this is one of those covert allusions in which Shak. speare frequently, indulges himself. The following lines of Cleiveland on an Hermaphrodite seem to countenance the suppo

Nay, those which modesty can mean,
“But dare not speak, are Epicene.
“That gamester needs must overcome,

“That can play both with Tib and Tom.
Sir John Hawkins would read—“as Tom's rush for Tib's fore-
finger.” But if this were the author's meaning, it would be ne-

VOL. V.

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