Italian Culture in the Drama of Shakespeare and His Contemporaries: Rewriting, Remaking, RefashioningMichele Marrapodi Routledge, 05/12/2016 - 304 páginas Applying recent developments in new historicism and cultural materialism - along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text - the essays collected here reconsider the pervasive influence of Italian culture, literature, and traditions on early modern English drama. The volume focuses strongly on Shakespeare but also includes contributions on Marston, Middleton, Ford, Brome, Aretino, and other early modern dramatists. The pervasive influence of Italian culture, literature, and traditions on the European Renaissance, it is argued here, offers a valuable opportunity to study the intertextual dynamics that contributed to the construction of the Elizabethan and Jacobean theatrical canon. In the specific area of theatrical discourse, the drama of the early modern period is characterized by the systematic appropriation of a complex Italian iconology, exploited both as the origin of poetry and art and as the site of intrigue, vice, and political corruption. Focusing on the construction and the political implications of the dramatic text, this collection analyses early modern English drama within the context of three categories of cultural and ideological appropriation: the rewriting, remaking, and refashioning of the English theatrical tradition in its iconic, thematic, historical, and literary aspects. |
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... play , where forms of hybridism in both theatregrams and characterizations demonstrate the reliance upon the Italian world of scripted play - acting and Commedia dell'Arte virtuosic impersonation . Among the numberless characterizations ...
... play , where forms of hybridism in both theatregrams and characterizations demonstrate the reliance upon the Italian world of scripted play - acting and Commedia dell'Arte virtuosic impersonation . Among the numberless characterizations ...
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... play to acknowledge Guarini's theory and practice, becoming a kind of model for other plays and dramatists. Jason Lawrence's chapter detects in Marston's earlier play, The Malcontent (1604), a number of linguistic borrowings and ...
... play to acknowledge Guarini's theory and practice, becoming a kind of model for other plays and dramatists. Jason Lawrence's chapter detects in Marston's earlier play, The Malcontent (1604), a number of linguistic borrowings and ...
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... play-script invented for his own political ends. This vision of Prospero's ruling ambitions and travesty is consonant with the early Jacobean theatrical repertory of a popular Italianate tragicomic sub-genre which, from Marston's The ...
... play-script invented for his own political ends. This vision of Prospero's ruling ambitions and travesty is consonant with the early Jacobean theatrical repertory of a popular Italianate tragicomic sub-genre which, from Marston's The ...
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... play of the Renaissance remains the least understood genre of the period. Despite Angelo Ingegneri's statement in 1598 that it had come to dominate the stage,5 even in Italy, where it was born, its character is still only half glimpsed ...
... play of the Renaissance remains the least understood genre of the period. Despite Angelo Ingegneri's statement in 1598 that it had come to dominate the stage,5 even in Italy, where it was born, its character is still only half glimpsed ...
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... play structures they improvised changes in scene, lapses in time, and allowed themselves even more unverisimilar plot data than were licensed by Ovidian pastorals of the 'writ'. Scala's scenarios 46, 47, and 48, L'Orseida, opera reale ...
... play structures they improvised changes in scene, lapses in time, and allowed themselves even more unverisimilar plot data than were licensed by Ovidian pastorals of the 'writ'. Scala's scenarios 46, 47, and 48, L'Orseida, opera reale ...
Índice
Novelistic | |
Virtuosity and Mimesis in the Commedia | |
Englishing Italian | |
Shakespeares Problems | |
The Merchant of Venice | |
Shakespeares Dreams Sprites and | |
Marstons | |
Shakespeare and Venice | |
Ritual | |
Victoria Scala Wood | |
Middleton Pietro Aretino and Sexphobic | |
The Music of Words From Madrigal | |
Select Bibliography | |
Harington Troilus and Cressida and the Poets | |
Index | |
Outras edições - Ver tudo
Italian Culture in the Drama of Shakespeare & His Contemporaries: Rewriting ... Michele Marrapodi Pré-visualização limitada - 2007 |
Italian Culture in the Drama of Shakespeare and His Contemporaries ... Michele Marrapodi Pré-visualização indisponível - 2016 |
Palavras e frases frequentes
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