The Later RenaissanceW. Blackwood and Sons, 1898 - 381 páginas An excerpt from "Book Reviews," Volume 6: In this sixth volume in the series upon "Periods of European Literature," edited by Professor Saintsbury, David Hannay traces the influence of the latter renaissance upon the literary genius of Spain, England, France and Italy. That all were stimulated without being essentially changed is clearly proved; that Spain felt the effects least and France most is shown to be due to the peculiar character of the two peoples, the former intensely national and slow to lend itself to other ways, the latter tending ever to form new schools and quick to set up new doctrines; that England came between the two extremes was but another natural outcome of a race spirit containing strong elements, yet not wholly alien to the influences of the time. Spain, never admitting a foreign element into its literature, put forth its own best effort and died; England and France learned their lesson from the Renaissance and gave assurance of far more good work to come. One-half of this volume is devoted to the Spanish literature in its golden age; one-fourth is set apart for the English; the French are a little more sparingly treated; Italy is considered chiefly under the names of Tasso and Bruno; Portugal is barely touched upon. Since the study of the Spanish genius in its best days is made so lengthy and as exhaustive as the space will allow, it is to be regretted that the writer should in this instance display no sympathy whatever with his subject. We would prefer to have these Spaniards discussed by someone who appreciated their peculiar nature and aims. Only when Cervantes, the least Spanish of these writers, is reached does our author show a genuine approval of anything that was done in Spain; ti at others are accounted great, that they were great for Spain, he admits; but their achievements are of a kind for which he shows no relish. Yet he classifies them otherwise fairly enough, and offers valuable comments upon their works. The handling of the English and French portions of the subject is in the manner we should expect from one so intimately acquainted with his material. Some excuse is made for passing over the Portuguese so hurriedly; while the almost unbroken silence in Germany and the absence of anything much in the modern Dutch and Scandinavian literatures explains the fact that these have no place in the book. For a writer to undertake to display "intimate and equal acquaintance'' of all the branches of European literature at any given time is to attempt more than is here claimed to be accomplished; that he was thoroughly acquainted with the literature which happened to be of greatest prominence is plain in this brief presentation of so broad a matter.... |
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Página viii
... language what was also being done by the Spanish " learned poets . " In Camoens there was no doubt a decided superiority of accom- plishment , but the others seem to me to have been inferior to Garcilaso , Luis de Leon , or Hernan de ...
... language what was also being done by the Spanish " learned poets . " In Camoens there was no doubt a decided superiority of accom- plishment , but the others seem to me to have been inferior to Garcilaso , Luis de Leon , or Hernan de ...
Página 9
David Hannay. to his native trochaic assonants of eight syllables . His language , admirable when properly handled for prose , wants the variety of melody required for poetry . Im- patience of the difficulties of metre is another name ...
David Hannay. to his native trochaic assonants of eight syllables . His language , admirable when properly handled for prose , wants the variety of melody required for poetry . Im- patience of the difficulties of metre is another name ...
Página 13
... language in which the accent is at once so pronounced and as little varied . It is not , I trust , superfluous to add that in Castilian , which we call Spanish , there is a marked accent in the last syllable of words ending in a ...
... language in which the accent is at once so pronounced and as little varied . It is not , I trust , superfluous to add that in Castilian , which we call Spanish , there is a marked accent in the last syllable of words ending in a ...
Página 15
... language , but also by the superiority of the Flemish printers . That same carelessness of form which is found in the Spaniard's literature followed him in lesser arts , where neatness of handling was more necessary than spirit and ...
... language , but also by the superiority of the Flemish printers . That same carelessness of form which is found in the Spaniard's literature followed him in lesser arts , where neatness of handling was more necessary than spirit and ...
Página 17
... language to , a passage in the great chronicle of Alfonso the Wise , or other unquestionably medieval work preserved in writing of known antiquity , it may be accepted as ancient . Where that test cannot be applied , it is safer not to ...
... language to , a passage in the great chronicle of Alfonso the Wise , or other unquestionably medieval work preserved in writing of known antiquity , it may be accepted as ancient . Where that test cannot be applied , it is safer not to ...
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Palavras e frases frequentes
Amadis Amadis of Gaul ballads Belisa Bellay Biblioteca de Ribadeneyra Boscan Calderon called Castilian Cervantes character Cheaper Edition Church classic comedy contemporaries criticism Crown 8vo D'Aubigné Demy 8vo Don Quixote dramatist Elizabethan England English example Fcap France French Garcilaso give honour Illustrations imitation influence Italian Italy Joachim du Bellay Jodelle king lady language Latin less letters Libros de Caballerías literary LL.D Lope de Rueda Lope de Vega Luis Lyly lyric Mateo Aleman matter Memoir metre Monluc Montaigne nature numerous pamphlets passion Philip play Pléiade poems poetic poetry poets popular Portrait Post 8vo Professor prose published religious Revised romance Ronsard satire scene Scotland Second Edition Shakespeare Sidney sixteenth century sonnets Spain Spaniard Spanish drama Spanish literature Spenser spirit stage story style Tasso theatre things Third Edition tion Tirso de Molina tragedy translation treatise verse vols words writers written wrote
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Página 5 - BLACKIE. Lays and Legends of Ancient Greece. By JOHN STUART BLACKIE, Emeritus Professor of Greek in the University of Edinburgh. Second Edition. Fcap. 8vo, 5s.
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Referências a este livro
Michael Draytons "Poly-Olbion" im Rahmen der englischen Renaissance Maria Merten Visualização de excertos - 1934 |
Das bürgerliche drama in England im zeitalter Shakespeares Paul Niemeyer Visualização de excertos - 1930 |