The Later RenaissanceW. Blackwood and Sons, 1898 - 381 páginas An excerpt from "Book Reviews," Volume 6: In this sixth volume in the series upon "Periods of European Literature," edited by Professor Saintsbury, David Hannay traces the influence of the latter renaissance upon the literary genius of Spain, England, France and Italy. That all were stimulated without being essentially changed is clearly proved; that Spain felt the effects least and France most is shown to be due to the peculiar character of the two peoples, the former intensely national and slow to lend itself to other ways, the latter tending ever to form new schools and quick to set up new doctrines; that England came between the two extremes was but another natural outcome of a race spirit containing strong elements, yet not wholly alien to the influences of the time. Spain, never admitting a foreign element into its literature, put forth its own best effort and died; England and France learned their lesson from the Renaissance and gave assurance of far more good work to come. One-half of this volume is devoted to the Spanish literature in its golden age; one-fourth is set apart for the English; the French are a little more sparingly treated; Italy is considered chiefly under the names of Tasso and Bruno; Portugal is barely touched upon. Since the study of the Spanish genius in its best days is made so lengthy and as exhaustive as the space will allow, it is to be regretted that the writer should in this instance display no sympathy whatever with his subject. We would prefer to have these Spaniards discussed by someone who appreciated their peculiar nature and aims. Only when Cervantes, the least Spanish of these writers, is reached does our author show a genuine approval of anything that was done in Spain; ti at others are accounted great, that they were great for Spain, he admits; but their achievements are of a kind for which he shows no relish. Yet he classifies them otherwise fairly enough, and offers valuable comments upon their works. The handling of the English and French portions of the subject is in the manner we should expect from one so intimately acquainted with his material. Some excuse is made for passing over the Portuguese so hurriedly; while the almost unbroken silence in Germany and the absence of anything much in the modern Dutch and Scandinavian literatures explains the fact that these have no place in the book. For a writer to undertake to display "intimate and equal acquaintance'' of all the branches of European literature at any given time is to attempt more than is here claimed to be accomplished; that he was thoroughly acquainted with the literature which happened to be of greatest prominence is plain in this brief presentation of so broad a matter.... |
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Página 4
... scenes of the Spanish drama to fall , by the political decadence of his country at the end of the seventeenth century . Yet the passing away of Spain's greatness has not prevented Don Quixote and Sancho from being familiar to the whole ...
... scenes of the Spanish drama to fall , by the political decadence of his country at the end of the seventeenth century . Yet the passing away of Spain's greatness has not prevented Don Quixote and Sancho from being familiar to the whole ...
Página 29
... scene . The Church had no quarrel with perfection of form . It had , indeed , a quarrel with mere grossness of expression , and would certainly have frowned on many so - called comic scenes of our own Elizabethan plays . This was a ...
... scene . The Church had no quarrel with perfection of form . It had , indeed , a quarrel with mere grossness of expression , and would certainly have frowned on many so - called comic scenes of our own Elizabethan plays . This was a ...
Página 69
... scene between Speed and Lance with the love - letter , in the third act of the Two Gentlemen of Verona , would serve as pasos . But Lope de Rueda's chief claim to honour is that he fairly conquered for the Spanish stage its place in the ...
... scene between Speed and Lance with the love - letter , in the third act of the Two Gentlemen of Verona , would serve as pasos . But Lope de Rueda's chief claim to honour is that he fairly conquered for the Spanish stage its place in the ...
Página 77
... scène à faire of French dramatic critics ; and the third wind all up . He formulated the great secret of the playwright's craft , which is that the audience must always know what is going to happen , but never exactly how it is going to ...
... scène à faire of French dramatic critics ; and the third wind all up . He formulated the great secret of the playwright's craft , which is that the audience must always know what is going to happen , but never exactly how it is going to ...
Página 78
... scenes of a comic kind , songs , and , above all , dances . The patio or court - that is , the pit -filled by the poorest , most numerous , and most formidable part of the audience , who stood , and who were addressed in compliment as ...
... scenes of a comic kind , songs , and , above all , dances . The patio or court - that is , the pit -filled by the poorest , most numerous , and most formidable part of the audience , who stood , and who were addressed in compliment as ...
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Palavras e frases frequentes
Amadis Amadis of Gaul ballads Belisa Bellay Biblioteca de Ribadeneyra Boscan Calderon called Castilian Cervantes character Cheaper Edition Church classic comedy contemporaries criticism Crown 8vo D'Aubigné Demy 8vo Don Quixote dramatist Elizabethan England English example Fcap France French Garcilaso give honour Illustrations imitation influence Italian Italy Joachim du Bellay Jodelle king lady language Latin less letters Libros de Caballerías literary LL.D Lope de Rueda Lope de Vega Luis Lyly lyric Mateo Aleman matter Memoir metre Monluc Montaigne nature numerous pamphlets passion Philip play Pléiade poems poetic poetry poets popular Portrait Post 8vo Professor prose published religious Revised romance Ronsard satire scene Scotland Second Edition Shakespeare Sidney sixteenth century sonnets Spain Spaniard Spanish drama Spanish literature Spenser spirit stage story style Tasso theatre things Third Edition tion Tirso de Molina tragedy translation treatise verse vols words writers written wrote
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Referências a este livro
Michael Draytons "Poly-Olbion" im Rahmen der englischen Renaissance Maria Merten Visualização de excertos - 1934 |
Das bürgerliche drama in England im zeitalter Shakespeares Paul Niemeyer Visualização de excertos - 1930 |