Joyce's Book of Memory: The Mnemotechnic of UlyssesDuke University Press, 06/01/1999 - 240 páginas For James Joyce, perhaps the most crucial of all human faculties was memory. It represented both the central thread of identity and a looking glass into the past. It served as an avenue into other minds, an essential part of the process of literary composition and narration, and the connective tissue of cultural tradition. In Joyce’s Book of Memory John S. Rickard demonstrates how Joyce’s body of work—Ulysses in particular—operates as a “mnemotechnic,” a technique for preserving and remembering personal, social, and cultural pasts. Offering a detailed reading of Joyce and his methods of writing, Rickard investigates the uses of memory in Ulysses and analyzes its role in the formation of personal identity. The importance of forgetting and repression, and the deadliness of nostalgia and habit in Joyce’s paralyzed Dublin are also revealed. Noting the power of spontaneous, involuntary recollection, Rickard locates Joyce’s mnemotechnic within its historical and philosophical contexts. As he examines how Joyce responded to competing intellectual paradigms, Rickard explores Ulysses’ connection to medieval, modern, and (what would become) postmodern worldviews, as well as its display of tensions between notions of subjective and universal memory. Finally, Joyce’s Book of Memory illustrates how Joyce distilled subjectivity, history, and cultural identity into a text that offers a panoramic view of the modern period. This book will interest students and scholars of Joyce, as well as others engaged in the study of modern and postmodern literature. |
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... later reading and study . These intellectual negativities remain , much as Roman Catholicism does in the mind of the apostate Stephen in the final chapters of A Portrait , to engage with newer theoretical frameworks in the body of the ...
... later reading and study . These intellectual negativities remain , much as Roman Catholicism does in the mind of the apostate Stephen in the final chapters of A Portrait , to engage with newer theoretical frameworks in the body of the ...
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... later writings can be classed within this activ- ist tradition , for he came to feel that " the weak spot in the security of our mental life [ is ] the untrustworthiness of our memory " ( 10 : 243 ) . " On reflection , Freud found that ...
... later writings can be classed within this activ- ist tradition , for he came to feel that " the weak spot in the security of our mental life [ is ] the untrustworthiness of our memory " ( 10 : 243 ) . " On reflection , Freud found that ...
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... later — or is memory a form of " mummery " ( FW 310.23 and 535.30 ) masked , hidden , changeable , and subject to interpretation ? Do we always rewrite the past to some extent when we remember ? Is our access to the past limited to our ...
... later — or is memory a form of " mummery " ( FW 310.23 and 535.30 ) masked , hidden , changeable , and subject to interpretation ? Do we always rewrite the past to some extent when we remember ? Is our access to the past limited to our ...
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... later " ( 40 ) . Proleptic memory involves those textual reoccur- rences that imply a dynamic movement forward in plot through recol- lection on the part either of readers or characters , suggesting an eventual narrative resolution or ...
... later " ( 40 ) . Proleptic memory involves those textual reoccur- rences that imply a dynamic movement forward in plot through recol- lection on the part either of readers or characters , suggesting an eventual narrative resolution or ...
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Índice
Personal Memory and the Construction of the Self | 15 |
The Past as Obstruction | 45 |
Memory Destiny and the Limits of the Self | 87 |
Joyces Mnemotechnic Textual Memory in Ulysses | 118 |
Intertextual Memory | 167 |
Conclusion | 181 |
Nausicaa and The Golden Ass | 199 |
Notes | 203 |
Bibliography | 223 |
233 | |
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allusion argues Artist associations become Bergson Bloom and Stephen Bruno's Budgen chance characters Circe claims consciousness Creative Evolution cultural unconscious dead destiny Dignam's Dublin echoes élan vital eleven Ellmann entelechy essay example experience father Finnegans Wake force Freud Gerty ghost Golden Ass guilt habit Hamlet Herr human ideas identity images imagination intertextual involuntary memory Ithaca James Joyce Joyce's texts Joyce's Ulysses Joyce's writing Leopold Bloom Lestrygonians magic Maher's memory in Ulysses metempsychosis models of mind modern modernist Molly mother mourning narrative nature Nausicaa nostalgia notes notion novel Nymph Odyssey paralyzed past Portrait present Proust provides Psyche psychic reader reading recollection remember repressed Richard Ellmann Rudy Rudy's death sense sexual Shakespeare shared memories soul Stephen and Bloom Stephen Dedalus Stephen's riddle suggests symbols tension text of Ulysses textual memory theory Theosophical thinks thoughts tion traditional Trieste Ulysses University Press voluntary Wandering Rocks words