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drove off. The murmurs of mine hostess, not very indistinctly or ambiguously pronounced, became after a time inaudible—and now my conscience, which the whimsical scene had for a while suspended, beginning to give some twitches, I waited, in the hope that some justification would 5 be offered by these serious people for the seeming injustice of their conduct. To my great surprise, not a syllable was dropped on the subject. They sate as mute as at a meeting. At length the eldest of them broke silence, by inquiring of his next neighbour, "Hast thee heard how indigos go at the 10 India House?" and the question operated as a soporific on my moral feeling as far as Exeter.

XIII. THE OLD BENCHERS OF THE INNER

TEMPLE

I was born, and passed the first seven years of my life in the Temple. Its church, its halls, its gardens, its fountain, its river, I had almost said - for in those young years, what 15 was this king of rivers to me but a stream that watered our pleasant places? these are of my oldest recollections. repeat, to this day, no verses to myself more frequently, or with kindlier emotion, than those of Spenser, where he speaks of this spot.

There when they came, whereas those bricky towers,
The which on Themmes brode aged back doth ride,
Where now the studious lawyers have their bowers,
There whylome wont the Templer knights to bide,
Till they decayed through pride.

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What

Indeed, it is the most elegant spot in the metropolis. a transition for a countryman visiting London for the first time the passing from the crowded Strand or Fleet Street, by

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unexpected avenues, into its magnificent ample squares, its classic green recesses! What a cheerful, liberal look hath that portion of it, which, from three sides, overlooks the greater garden: that goodly pile

Of building strong, albeit of Paper hight,

confronting, with massy contrast, the lighter, older, more fantastically shrouded one, named of Harcourt, with the cheerful Crown-office Row (place of my kindly engendure), right opposite the stately stream, which washes the garden-foot with her 10 yet scarcely trade-polluted waters, and seems but just weaned from her Twickenham Naiades! a man would give something to have been born in such places. What a collegiate aspect has that fine Elizabethan hall, where the fountain plays, which I have made to rise and fall, how many times! to the astound15 ment of the young urchins, my contemporaries, who, not being able to guess at its recondite machinery, were almost tempted to hail the wondrous work as magic! What an antique air had the now almost effaced sun-dials, with their moral inscriptions, seeming coevals with that Time which they measured, and to 20 take their revelations of its flight immediately from heaven, holding correspondence with the fountain of light! How would the dark line steal imperceptibly on, watched by the eye of childhood, eager to detect its movement, never catched, nice as an evanescent cloud, or the first arrests of sleep!

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Ah! yet doth beauty like a dial-hand

Steal from his figure, and no pace perceived!

What a dead thing is a clock, with its ponderous embowelments of lead and brass, its pert or solemn dulness of communication, compared with the simple altar-like structure, and 30 silent heart-language of the old dial! It stood as the garden god of Christian gardens. Why is it almost everywhere vanished? If its business-use be superseded by more elaborate

inventions, its moral uses, its beauty, might have pleaded for
its continuance. It spoke of moderate labours, of pleasures
not protracted after sunset, of temperance, and good hours.
It was the primitive clock, the horologe of the first world.
Adam could scarce have missed it in Paradise. It was the 5
measure appropriate for sweet plants and flowers to spring by,
for the birds to apportion their silver warblings by, for flocks
to pasture and be led to fold by. The shepherd “carved it out
quaintly in the sun;" and, turning philosopher by the very
occupation, provided it with mottoes more touching than tomb- 10
stones. It was a pretty device of the gardener, recorded by
Marvell, who, in the days of artificial gardening, made a dial out
of herbs and flowers. I must quote his verses a little higher up,
for they are full, as all his serious poetry was, of a witty delicacy.
They will not come in awkwardly, I hope, in a talk of fountains 15
and sun-dials. He is speaking of sweet garden scenes :

What wonderous life is this I lead!
Ripe apples drop about my head.
The luscious clusters of the vine
Upon my mouth do crush their wine.
The nectarine, and curious peach,
Into my hands themselves do reach.
Stumbling on melons, as I pass,
Insnared with flowers, I fall on grass.
Meanwhile the mind from pleasure less
Withdraws into its happiness;

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The mind, that ocean, where each kind

Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds and other seas;
Annihilating all that's made

To a green thought in a green shade.
Here at the fountain's sliding foot,
Or at some fruit-tree's mossy root,
Casting the body's vest aside,

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My soul into the boughs does glide:
There like a bird it sits and sings,
Then whets and claps its silver wings;
And, till prepared for longer flight,
Waves in its plumes the various light.
How well the skilful gardener drew,
Of flowers and herbs, this dial new!
Where, from above the milder sun
Does through a fragrant zodiac run;
And, as it works, the industrious bee

Computes its time as well as we.

How could such sweet and wholesome hours

Be reckon'd, but with herbs and flowers?1

The artificial fountains of the metropolis are, in like manner, 15 fast vanishing. Most of them are dried up, or bricked over.

Yet, where one is left, as in that little green nook behind the South-Sea House, what a freshness it gives to the dreary pile! Four little winged marble boys used to play their virgin fancies, spouting out ever fresh streams from their innocent wanton lips, 20 in the square of Lincoln's Inn, when I was no bigger than they

were figured. They are gone, and the spring choked up. The fashion, they tell me, is gone by, and these things are esteemed childish. Why not then gratify children, by letting them stand? Lawyers, I suppose, were children once. They are awakening 25 images to them at least. Why must everything smack of man, and mannish? Is the world all grown up? Is childhood dead? Or is there not in the bosoms of the wisest and the best some of the child's heart left, to respond to its earliest enchantments? The figures were grotesque. Are the stiff-wigged living figures, 30 that still flitter and chatter about that area, less Gothic in appearance? or is the splutter of their hot rhetoric one half so refreshing and innocent as the little cool playful streams those exploded cherubs uttered?

1 From a copy of verses entitled The Garden.

They have lately gothicized the entrance to the Inner Temple-hall, and the library front, to assimilate them, I suppose, to the body of the hall, which they do not at all resemble. What is become of the winged horse that stood over the former? a stately arms! and who has removed those 5 frescoes of the Virtues, which Italianized the end of the Paperbuildings? - my first hint of allegory! They must account

to me for these things, which I miss so greatly.

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The terrace is, indeed, left, which we used to call the parade; but the traces are passed away of the footsteps 10 which made its pavement awful! It is become common and profane. The old benchers had it almost sacred to themselves, in the fore part of the day at least. They might not be sided or jostled. Their air and dress asserted the parade. You left wide spaces betwixt you, when you 15 passed them. We walk on even terms with their successors. The roguish eye of J—ll, ever ready to be delivered of a jest, almost invites a stranger to vie a repartee with it. But what insolent familiar durst have mated Thomas Coventry? whose person was a quadrate, his step massy and elephantine, 20 his face square as the lion's, his gait peremptory and path-keeping, indivertible from his way as a moving column, the scarecrow of his inferiors, the brow-beater of equals and superiors, who made a solitude of children wherever he came, for they fled his insufferable presence, as they would have shunned an 25 Elisha bear. His growl was as thunder in their ears, whether he spake to them in mirth or in rebuke, his invitatory notes being, indeed, of all, the most repulsive and horrid. Clouds of snuff, aggravating the natural terrors of his speech, broke from each majestic nostril, darkening the air. He took it, not by pinches, 30 but a palmful at once, diving for it under the mighty flaps of his old-fashioned waistcoat pocket; his waistcoat red and angry, his coat dark rappee, tinctured by dye original, and by adjuncts, with buttons of obsolete gold. And so he paced the terrace.

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