Modern Austrian Literature, Volume 21,Edições 3-4State University of New York at Binghamton, 1988 |
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Página 87
... Dittmar walks a fine line between an instructive summary of Bernhard's world as distilled from the entire oeuvre , and an almost useless piece of discursive abstraction that leaves behind the main thing that the texts used to be . In ...
... Dittmar walks a fine line between an instructive summary of Bernhard's world as distilled from the entire oeuvre , and an almost useless piece of discursive abstraction that leaves behind the main thing that the texts used to be . In ...
Página 114
... of the banquet hall , while the president of the " Kunstsenat " shook his fist and called the ungrateful author a " Schwein . " Cited in Jens Dittmar , Thomas Bernhard : Werkgeschichte ( 114 MODERN AUSTRIAN LITERATURE.
... of the banquet hall , while the president of the " Kunstsenat " shook his fist and called the ungrateful author a " Schwein . " Cited in Jens Dittmar , Thomas Bernhard : Werkgeschichte ( 114 MODERN AUSTRIAN LITERATURE.
Página 115
Cited in Jens Dittmar , Thomas Bernhard : Werkgeschichte ( Frankfurt a.M. , Suhrkamp , 1981 ) , p . 98f . 4. I am referring of course to the colloquial " Mach ' doch kein Theater ! " , which is always used in a denigrating manner . 5 ...
Cited in Jens Dittmar , Thomas Bernhard : Werkgeschichte ( Frankfurt a.M. , Suhrkamp , 1981 ) , p . 98f . 4. I am referring of course to the colloquial " Mach ' doch kein Theater ! " , which is always used in a denigrating manner . 5 ...
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MANFRED MITTERMAYER | 1 |
ROBERT S LEVENTHAL | 19 |
KATHLEEN THORPE | 39 |
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