Modern Austrian Literature, Volume 21,Edições 3-4State University of New York at Binghamton, 1988 |
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Página 43
... Murau knows that he shares collec- tive guilt simply by being a member of his family . By a process of narrowing down the field Murau emphasizes again that his criticism does not concern the cultural heritage per se , because " Gäbe es ...
... Murau knows that he shares collec- tive guilt simply by being a member of his family . By a process of narrowing down the field Murau emphasizes again that his criticism does not concern the cultural heritage per se , because " Gäbe es ...
Página 46
... Murau immediately interprets his brother's appearance as indicative of his life - long proximity to his parents . Whereas Murau had fled to Rome and so escaped their influence , Johannes had stayed behind at Wolfsegg with , in Murau's ...
... Murau immediately interprets his brother's appearance as indicative of his life - long proximity to his parents . Whereas Murau had fled to Rome and so escaped their influence , Johannes had stayed behind at Wolfsegg with , in Murau's ...
Página 47
... Murau is the fact that he cannot completely wash his hands of his family , and this knowledge makes him aware of the inade- quacy of photographs as analogons of reality and not true reality . The dis- crepancy between Murau's knowledge ...
... Murau is the fact that he cannot completely wash his hands of his family , and this knowledge makes him aware of the inade- quacy of photographs as analogons of reality and not true reality . The dis- crepancy between Murau's knowledge ...
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MANFRED MITTERMAYER | 1 |
ROBERT S LEVENTHAL | 19 |
KATHLEEN THORPE | 39 |
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