Modern Austrian Literature, Volume 21,Edições 3-4State University of New York at Binghamton, 1988 |
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Página 80
... narrator and his fiancée displace each other frequently . In one instance the narrator has the couple resume their place at center stage by reporting that they entered the dining room as he was writing his letter : " Die Gendarmerie sei ...
... narrator and his fiancée displace each other frequently . In one instance the narrator has the couple resume their place at center stage by reporting that they entered the dining room as he was writing his letter : " Die Gendarmerie sei ...
Página 83
... narrator is grappling hand - to - hand with reality and truth . We are still waiting . As it turns out , the truth quotient in this transitional scene is low . The boy is not really her fiancé , as the narrator has called him here , but ...
... narrator is grappling hand - to - hand with reality and truth . We are still waiting . As it turns out , the truth quotient in this transitional scene is low . The boy is not really her fiancé , as the narrator has called him here , but ...
Página 84
... narrator who has fussed so anxiously around the peripheries of his story that he has successfully obscured the main event offers us something like Tom Stoppard's Rosencrantz - and - Guildenstern perspective on Hamlet . But here , at ...
... narrator who has fussed so anxiously around the peripheries of his story that he has successfully obscured the main event offers us something like Tom Stoppard's Rosencrantz - and - Guildenstern perspective on Hamlet . But here , at ...
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MANFRED MITTERMAYER | 1 |
ROBERT S LEVENTHAL | 19 |
KATHLEEN THORPE | 39 |
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