Modern Austrian Literature, Volume 21,Edições 3-4State University of New York at Binghamton, 1988 |
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Página 108
... plays that they no longer elicit surprise or anger because of their brutality but rather evoke the opposite response . When Bernhard's play Der Theatermacher was premiered at the Salzburger Festspiele in 1985 , the audience broke into ...
... plays that they no longer elicit surprise or anger because of their brutality but rather evoke the opposite response . When Bernhard's play Der Theatermacher was premiered at the Salzburger Festspiele in 1985 , the audience broke into ...
Página 250
... play without coming to any clear result . For example , she asks whether the play is a satire of all artists and if so , " When the artist is debunked , what happens to the art ? " 37 In 1978 Thomas A. Falk reviewed Bernhard's Der ...
... play without coming to any clear result . For example , she asks whether the play is a satire of all artists and if so , " When the artist is debunked , what happens to the art ? " 37 In 1978 Thomas A. Falk reviewed Bernhard's Der ...
Página 255
... plays ; yet in the English - speak- ing world he is practically unknown . The one play Die Macht der Gewohnheit was translated and presented in the National Theater of London and was a total failure . But beyond this one time his name ...
... plays ; yet in the English - speak- ing world he is practically unknown . The one play Die Macht der Gewohnheit was translated and presented in the National Theater of London and was a total failure . But beyond this one time his name ...
Índice
MANFRED MITTERMAYER | 1 |
ROBERT S LEVENTHAL | 19 |
KATHLEEN THORPE | 39 |
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