Slaves, Masters, and the Art of Authority in Plautine ComedyPrinceton University Press, 10/01/2009 - 248 páginas What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure. |
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... example from a familiar play. Early on, Plautus' Mostellaria advertises that its theme is the undoing of a young man in love. Through a famous monody in which he compares himself to a dilapidated house, the young lover reveals an ...
... Examples of scholarly analysis of sit-coms include E. Taylor (1989), Jones (1992); for similar analyses of soap operas, see Mumford (1995). 8 E.g., Conte (1994: 19–22), Williams (1982:53–55). 9We should consider the possibility that the ...
... example, the farcical in mine). What is important in both Plautine comedy and early nineteenth-century blackface ... Examples of the most extreme farcical plays are Pseudolus, Casina, Bacchides, and Miles Gloriosus. 17 Wiles' (1991) ...
... example of anagnorisis, this mode's defining plot device: we are left at the end of recognition plays believing that wrongs have been righted, mistakes corrected, by a divine force that will always prevail; these plays draw our ...
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Índice
3 | |
The Ties That Bind Menaechmi | 35 |
Loves Labours Lost Casina | 77 |
A Kind of Wild Justice Persa | 122 |
Truth Is the Best Disguise Captivi | 167 |
The Slaves Image in the Masters Mind | 211 |
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Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização limitada - 2009 |
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização indisponível - 2000 |
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização indisponível - 2004 |