Slaves, Masters, and the Art of Authority in Plautine ComedyPrinceton University Press, 10/01/2009 - 248 páginas What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure. |
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... hand directs us, instead of focusing our attention on what the magician is trying to distract us from. Scott raises the possibility that the public transcript might function as “a kind of selfhypnosis within ruling groups to buck up ...
... the temptation to read the clever slave as “about slavery,” I am again trying to counter the text's sleight-of-hand, trying to look where it is not pointing. I would like to take this opportunity to acknowledge the x PREFACE.
... hand (1–83). Even more puzzling, after the first act, the Mostellaria completely abandons the young lover and develops instead the role of the fiendishly clever slave, a role that has no edifying moral or psychological lessons for us ...
... hand, as many more recent critics believe, Plautus was a sly parodist, who used his Greek models merely as a foil for his own carnivalesque wit, then the plots of young love and lost children serve only to provide grist for his mill ...
... hand, content does not exist only in language, since it can be translated or expressed in different words; on the other hand, these new, secondary texts never just repeat the primary text but in reexpressing the content inevitably ...
Índice
3 | |
The Ties That Bind Menaechmi | 35 |
Loves Labours Lost Casina | 77 |
A Kind of Wild Justice Persa | 122 |
Truth Is the Best Disguise Captivi | 167 |
The Slaves Image in the Masters Mind | 211 |
Works Cited | 215 |
Index of Plautine Passages | 221 |
General Index | 227 |
Outras edições - Ver tudo
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização limitada - 2009 |
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização indisponível - 2000 |
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização indisponível - 2004 |