Slaves, Masters, and the Art of Authority in Plautine ComedyPrinceton University Press, 10/01/2009 - 248 páginas What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure. |
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... plot devices, character types, and stylistic preferences, but each also has a distinctive way of envisioning the functioning of authority in the world. The naturalistic mode sees the hierarchies that order society as grounded in ...
... plots that focus on reweaving familial bonds and the triumph of love are often almost derailed by the emphasis on deception tricks and gags through which these plots are brought on stage; likewise, the socially conservative values of ...
... plots of familial crisis, as (at best) comic relief for the drama of humane values.2 If, on the other hand, as many more recent critics believe, Plautus was a sly parodist, who used his Greek models merely as a foil for his own ...
... plots. The knitting together of the two modes is exactly what defines the pied beauty of this genre. The second proposal is to see the coexistence of these two modes as dynamic and self-conscious, a relationship that could be ...
... plot. Rather, the evidence for Plautus' traditionality should make us reconsider exactly how sophisticated a tradition can be. Further, Sharrock's argument implies that we can take Plautine comedy seriously as an object for literary ...
Índice
3 | |
The Ties That Bind Menaechmi | 35 |
Loves Labours Lost Casina | 77 |
A Kind of Wild Justice Persa | 122 |
Truth Is the Best Disguise Captivi | 167 |
The Slaves Image in the Masters Mind | 211 |
215 | |
221 | |
227 | |
Outras edições - Ver tudo
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização limitada - 2009 |
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização indisponível - 2000 |
Slaves, Masters, and the Art of Authority in Plautine Comedy Kathleen McCarthy Pré-visualização indisponível - 2004 |