The British Prose Writers...: Sir J. Reynolds's discoursesJ. Sharpe, 1819 |
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Página 96
... considered as the characteristic of genius . But the truth is , that the degree of excel- lence which proclaims genius is different in dif- ferent times and different places ; and what shows it to be so is , that mankind have often ...
... considered as the characteristic of genius . But the truth is , that the degree of excel- lence which proclaims genius is different in dif- ferent times and different places ; and what shows it to be so is , that mankind have often ...
Página 126
... considered as really true , they become capable of no small degree of stability and determination , by their permanent and uniform nature . As these prejudices become more narrow , more local , more transitory , this secondary taste ...
... considered as really true , they become capable of no small degree of stability and determination , by their permanent and uniform nature . As these prejudices become more narrow , more local , more transitory , this secondary taste ...
Página 153
... considered as so many rays , which discover mani- festly the centre from whence they emanated . The sublime in painting , as in poetry , so over- powers , and takes such a possession of the whole mind , that no room is left for ...
... considered as so many rays , which discover mani- festly the centre from whence they emanated . The sublime in painting , as in poetry , so over- powers , and takes such a possession of the whole mind , that no room is left for ...
Palavras e frases frequentes
acquired admiration advantage Albert Durer ancient appear artist attention beauty called Carlo Maratti character Claude Lorrain colouring composition considered contrary Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress effect elegance endeavour equal excellence expression figure finished Gainsborough genius give grace grandeur greatest Guercino habit higher highest history painter idea imagination imitation invention justly kind labour landscape learned lence manner Masaccio masters means method Michael Angelo mind minute modern nature necessary neral never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps Phidias picture Pietro Perugino poet poetry portraits possessed Poussin practice principles proceed produced racter Raffaelle reason recommend Rembrandt Royal Academy Rubens rules sculptor sense simplicity spectator student style suppose taste thing thought tion Titian true truth ture Vandyck variety Venetian Venetian school Veronese vulgar whole wish