Modern Austrian Literature, Volume 7State University of New York at Binghamton, 1974 Includes the index to the Journal of the International Arthur Schnitzler Research Association, 1961-67. |
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Página 92
As these critics suggest , the death which has become music is a death which , like the speaker , has suffered a sea - change and is an integral part of the all - embracing harmony of this exalted mo- ment . A similar conjunction is ...
As these critics suggest , the death which has become music is a death which , like the speaker , has suffered a sea - change and is an integral part of the all - embracing harmony of this exalted mo- ment . A similar conjunction is ...
Página 93
... death as the ultimate reality , as finality itself , is difficult to reconcile with the notion of a death which has " become music , " or which is imaginary ; we must conclude that the two views of death which the poem presents are ...
... death as the ultimate reality , as finality itself , is difficult to reconcile with the notion of a death which has " become music , " or which is imaginary ; we must conclude that the two views of death which the poem presents are ...
Página 102
... death . And in 1894 , Hofmannsthal notes in his diary that Arthur Schnitzler is at a crucial point in his life ... death ; the reason seems to be that death is the most essential fact of life , that to have a moment of self ...
... death . And in 1894 , Hofmannsthal notes in his diary that Arthur Schnitzler is at a crucial point in his life ... death ; the reason seems to be that death is the most essential fact of life , that to have a moment of self ...
Índice
Peter Horwath | 34 |
Françoise Derre | 51 |
Peter Pabisch | 69 |
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