OF. CRITICIS M. THE SEVENTH EDITION. WITH THE AUTHOR'S LAST CORRECTIONS AND ADDITIONS. VOLUME II. EDINBURGH: LONDON. MDCCLXXXVIII. F all the fine arts, painting only and sculpture are in their nature imitative. An ornamented field is not a copy or imitation of nature, but naturę itself embellished. Architecture is productive of originals, and copies not from nature. Sound and motion may in some measure be imitated by music; but for the most part music, like architecture, is productive of originals. Language copies not from nature, more than music or architecțure; unless, where, like music, it is imitative of found or motion. Thus, in the description of particular sounds, language sometimes furnisheth words, which, beside their customary power of A 2 exciting |