Cinema and Life Development: Healing Lives and Training Therapists

Capa
Greenwood Publishing Group, 2004 - 139 páginas


Peake uses prevailing and emerging models of life-span development along with examples from Cinema to animate psychological understanding and application.

The use of film offers powerful opportunities for anecdotes, clinical applications, and examples of life stories drawn from popular and lesser-known cinema. The addition of movies as metaphors make the material accessible to lay, student, and professional readers. Drawn from numerous workshops and symposia using this material, Peake finds this emphasis breathes life into teaching, negotiating, and growing from new perspectives.

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Índice

I
1
II
11
IV
33
V
43
VI
57
VII
75
VIII
85
X
93
XV
113
XVI
123
XVII
129
XVIII
137
Direitos de autor

Palavras e frases frequentes

Passagens conhecidas

Página 36 - A THING of beauty is a joy for ever : Its loveliness increases ; it will never Pass into nothingness ; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing.
Página 50 - God, grant me the serenity to accept the things I cannot change, Courage to change the things I can, and Wisdom to know the difference.
Página 2 - O wad some pow'r the giftie gie us To see oursels as others see us ! It wad frae monie a blunder free us And foolish notion : What airs in dress an' gait wad lea'e us, And ev'n Devotion ! ADDRESS TO EDINBURGH.
Página 28 - Martha: (Swinging around) Look, sweetheart, I can drink you under any goddamn table you want ... so don't worry about me! George: Martha, I gave you the prize years ago. . . . There isn't an abomination award going that you. . . . Martha: I swear ... if you existed I'd divorce you. . . . George: Well, just stay on your feet, that's all. . . . These people are your guests, you know, and. . . . Martha: I can't even see you. ... I haven't been able to see you for years. . . . George: ... if you pass...
Página 37 - In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages...
Página 50 - Nothing that is worth doing can be achieved in our lifetime; therefore we must be saved by hope. Nothing which is true or beautiful or good makes complete sense in any immediate context of history; therefore we must be saved by faith. Nothing we do, however virtuous, can be accomplished alone; therefore we are saved by love.
Página 49 - It strikes us when our disgust for our own being, our indifference, our weakness, our hostility, and our lack of direction and composure have become intolerable to us. It strikes us when, year after year, the longed-for perfection of life does not appear, when the old compulsions reign within us as they have for decades, when despair destroys all joy and courage. Sometimes at that moment a wave of Light breaks into our darkness, and it is as though a voice were saying: "You are accepted.
Página 28 - Martha: I swear ... if you existed I'd divorce you. . . . George: Well, just stay on your feet, that's all. . . . These people are your guests, you know, and. . . . Martha: I can't even see you. ... I haven't been able to see you for years. . . . George: ... if you pass out, or throw up, or something. . . . Martha: ... I mean, you're a blank, a cipher. . . . George: . . . and try to keep your clothes on, too. There aren't many more sickening sights than you with a couple of drinks in you and your...
Página 30 - Isn't it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes over for thousands of years.
Página 27 - MARTHA. Uh . . . you make me puke? GEORGE. (Thinks about it ... then ....) That wasn'ta very nice thing to say, Martha. MARTHA. That wasn't what? GEORGE. ... a very nice thing to say. MARTHA. I like your anger. I think that's what I like about you most . . . your anger. You're such a ... such a simp! You don't even have the . . . the what? . . . GEORGE. ...guts?... MARTHA. PHRASEMAKER! (Pause ... then they both laugh.) Hey, put some more ice in my drink, will you?

Acerca do autor (2004)

THOMAS H. PEAKE is ABPP Clinical and Health Professor and Associate Dean, School of Psychology, Florida Institute of Technology.

Informação bibliográfica