The dramatic works of William Shakspeare, with notes original and selected by S.W. Singer, and a life of the poet by C. Symmons, Parte 25,Volume 10 |
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Página 2
... Malone has shown , by unequivocal testimony , that the play was formed : numerous circumstances are intro- duced from the poem , which the novelist would not have sup- plied ; and even the identity of expression , which not unfre ...
... Malone has shown , by unequivocal testimony , that the play was formed : numerous circumstances are intro- duced from the poem , which the novelist would not have sup- plied ; and even the identity of expression , which not unfre ...
Página 3
... Malone thinks that the foundation of the play might be laid in 1591 , and finished in 1596. Mr. George Chalmers places the date of its composition in the spring of 1592. And Dr. Drake , with greater probability , ascribes it to 1593 ...
... Malone thinks that the foundation of the play might be laid in 1591 , and finished in 1596. Mr. George Chalmers places the date of its composition in the spring of 1592. And Dr. Drake , with greater probability , ascribes it to 1593 ...
Página 13
... beauty to the same . ' The emendation is by Theobald : who states , with great plausi- bility , that sunne might easily be mistaken for same . Malone Could we but learn from whence his sorrows grow , SC . I. 13 ROMEO AND JULIET .
... beauty to the same . ' The emendation is by Theobald : who states , with great plausi- bility , that sunne might easily be mistaken for same . Malone Could we but learn from whence his sorrows grow , SC . I. 13 ROMEO AND JULIET .
Página 19
... Malone adds , from Shakspeare's 99th Sonnet : — When proud - pied April , dress'd in all his trim , Hath put a spirit of youth in every thing . ' When well apparell'd April on the heel Of limping winter SC . II . 19 ROMEO AND JULIET .
... Malone adds , from Shakspeare's 99th Sonnet : — When proud - pied April , dress'd in all his trim , Hath put a spirit of youth in every thing . ' When well apparell'd April on the heel Of limping winter SC . II . 19 ROMEO AND JULIET .
Página 20
... Malone has shown , is to the old proverbial expression , One is no number , ' thus adverted to in Decker's Honest Whore : - to fall to one is to fall to none , For one no number is . ' And in Shakspeare's 136th Sonnet : - ' Among a ...
... Malone has shown , is to the old proverbial expression , One is no number , ' thus adverted to in Decker's Honest Whore : - to fall to one is to fall to none , For one no number is . ' And in Shakspeare's 136th Sonnet : - ' Among a ...
Palavras e frases frequentes
¹¹ ancient beauty Benvolio Brabantio CAPULET Cassio Cyprus dead dear death Desdemona dost doth Emil EMILIA Enter Exeunt Exit eyes fair Farewell father fear folio reads friar gentleman give grief Guil Hamlet hath hear heart heaven honest honour Horatio i'the Iago is't Juliet King Lear lady Laer Laertes look lord Love's Labour's Lost madam Malone married means Measure for Measure Mercutio Michael Cassio Moor murder never night Nurse old copies Ophelia Othello passage play poet POLONIUS pray quarto of 1603 quarto reads Queen Rape of Lucrece Roderigo Romeo Romeo and Juliet scene Shakspeare Shakspeare's soul speak speech Steevens sweet sword tell thee There's thing thou art thou hast thought to-night Troilus and Cressida Tybalt villain weep wife word
Passagens conhecidas
Página 247 - O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
Página 50 - And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
Página 378 - She'd come again, and with a greedy ear Devour up my discourse: Which I observing, Took once a pliant hour; and found good means To draw from her a prayer of earnest heart, That I would all my pilgrimage dilate.
Página 264 - Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music, excellent voice, in this little organ ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe ? Call me what instrument you will, though you can fret me, you cannot play upon me.
Página 340 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all.
Página 174 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on ; and yet, within a month — Let me not think on't. — Frailty, thy name is woman ! A little month!
Página 286 - Not where he eats, but where he is eaten. A certain convocation of [politic] worms* are e'en at him. Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots.
Página 341 - I've done you wrong ; But pardon 't, as you are a gentleman. This presence knows, And you must needs have heard, how I am punish'd With sore distraction. What I have done, That might your nature, honour, and exception, Roughly awake, I here proclaim was madness. Was't Hamlet wrong'd Laertes ? Never Hamlet : If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, Then Hamlet does it not ; Hamlet denies it. Who does it then ? His madness. If't be so, Hamlet is of the faction...
Página 32 - Prick'd from the lazy finger of a maid. Her chariot is an empty hazel-nut , Made by the joiner squirrel , or old grub , Time out of mind the fairies' coach-makers. And in this state she gallops night by night Through lovers...
Página 247 - ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure.