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observation of the lady whom I was describing. She had caught my eye occasionally, as it glanced from my letter toward her. Really, Señor,' said she, at length, with a smile, 'one would think you were a painter taking my likeness.' I could not resist the impulse. Indeed,' said I, 'I am taking it; I am writing to a friend the other side of the world, discussing things that are passing before me, and I could not help noting down one of the best specimens of the country that I had met with.' A little bantering took place between the young lady, her husband, and myself, which ended in my reading off, as well as I could into Spanish, the description I had just written down. It occasioned a world of merriment, and was taken in excellent part. The lady's cheek, for once, mantled with the rose. She laughed, shook her head, and said I was a very fanciful portrait painter; and the husband declared that, if I would stop at St. Filian, all the ladies in the place would crowd to have their portraits taken,-my pictures were so flattering. I have just parted with them. The steamship stopped in the open sea, just in front of the little bay of St. Filian; boats came off from shore for the party. I helped the beautiful original of the portrait into the boat, and promised her and her husband if ever I should come to St. Filian I would pay them a visit. The last I noticed of her was a Spanish farewell wave

of her beautiful white hand, and the gleam of her dazzling teeth as she smiled adieu. So there's a very tolerable touch of romance for a gentleman of my years."

When Irving announced his recall from the court of Madrid, the young Queen said to him in reply: "You may take with you into private life the intimate conviction that your frank and loyal conduct has contributed to draw closer the amicable relations which exist between North America and the Spanish nation, and that your distinguished personal merits have gained in my heart the appreciation which you merit by more than one title." The author was anxious to return. From the midst of court life in April, 1845, he had written: "I long to be once more back at dear little Sunnyside, while I have yet strength and good spirits to enjoy the simple pleasures of the country, and to rally a happy family group once more about me. I grudge every year of absence that rolls by. To-morrow is my birthday. I shall then be sixty-two years old. The evening of life is fast drawing over me; still I hope to get back among my friends while there is a little sunshine left."

It was the 19th of September, 1846, says his biographer, "when the impatient longing of his heart was gratified, and he found himself restored to his home for the thirteen years of happy life still remaining to him."

CHAPTER IX.

THE CHARACTERISTIC WORKS.

THE Knickerbocker's " History of New York" and the "Sketch-Book" never would have won for Irving the gold medal of the Royal Society of Literature, or the degree of D. C. L. from Oxford.

However much the world would have liked frankly to honor the writer for that which it most enjoyed and was under most obligations for, it would have been a violent shock to the constitution of things to have given such honor to the mere humorist and the writer of short sketches. The conventional literary proprieties must be observed. Only some laborious, solid, and improving work of the pen could sanction such distinction, — a book of research or an historical composition. It need not necessarily be dull, but it must be grave in tone and serious in intention, in order to give the author high recognition.

Irving himself shared this opinion. He hoped, in the composition of his "Columbus" and his "Washington," to produce works which should justify the good opinion his countrymen had formed of him, should reasonably satisfy the expectations excited by his lighter books, and lay for him the basis of enduring reputation. All that he had done before was the play of careless genius, the exercise of frolicsome fancy, which might amuse and perhaps win an affectionate regard for the author, but could not justify a high respect or secure a permanent place in literature. For this, some work of scholarship and industry was

needed.

And yet everybody would probably have admitted that there was but one man then living who could have created and peopled the vast and humorous world of the Knickerbockers; that all the learning of Oxford and Cambridge together would not enable a man to draw the whimsical portrait of Ichabod Crane, or to outline the fascinating legend of Rip Van Winkle; while Europe was full of scholars of more learning than Irving, and writers of equal skill in narrative, who

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