the most insolent, yet valiant, of the Moslem warriors the same who had hurled into the royal camp his lance, inscribed to the queen. As he rode slowly along in front of the army, his very steed, prancing with fiery eye and distended nostril, seemed to breathe defiance to the Christians.

"But what were the feelings of the Spanish cavaliers when they beheld, tied to the tail of his steed, and dragged in the dust, the very inscription, AVE MARIA,' which Hernan Perez del Pulgar had affixed to the door of the mosque! A burst of horror and indignation broke forth from the army. Hernan was not at hand, to maintain his previous achievement; but one of his young companions in arms, Garcilasso de la Vega by name, putting spurs to his horse, galloped to the hamlet of Zubia, threw himself on his knees before the king, and besought permission to accept the defiance of this insolent infidel, and to revenge the insult offered to our Blessed Lady. The request was too pious to be refused. Garcilasso remounted his steed, closed his helmet, graced by four sable plumes, grasped his buckler of Flemish workmanship, and his lance of matchless temper, and defied the haughty Moor in the midst of his career. A combat took place in view of the two armies and of the Castilian court. The Moor was powerful in wielding his

weapons, and dexterous in managing his steed. He was of larger frame than Garcilasso, and more completely armed, and the Christians trembled for their champion. The shock of their encounter was dreadful; their lances were shivered, and sent up splinters in the air. Garcilasso was thrown back in his saddle his horse made a wide career before he could recover, gather up the reins, and return to the conflict. They now encountered each other with swords. The Moor circled round his opponent, as a hawk circles when about to make a swoop; his steed obeyed his rider with matchless quickness; at every attack of the infidel, it seemed as if the Christian knight must sink beneath his flashing scimiter. But if Garcilasso was inferior to him in power, he was superior in agility; many of his blows he parried; others he received upon his Flemish shield, which was proof against the Damascus blade. The blood streamed from numerous wounds received by either warrior. The Moor, seeing his antagonist exhausted, availed himself of his superior force, and, grappling, endeavored to wrest him from his saddle. They both fell to earth; the Moor placed his knee upon the breast of his victim, and, brandishing his dagger, aimed a blow at his throat. A cry of despair was uttered by the Christian warriors, when suddenly they beheld the Moor rolling lifeless in the dust.

Garcilasso had shortened his sword, and, as his adversary raised his arm to strike, had pierced him to the heart. It was a singular and miraculous victory,' says Fray Antonio Agapida; 'but the Christian knight was armed by the sacred nature of his cause, and the Holy Virgin gave him strength, like another David, to slay this gigantic champion of the Gentiles.'

"The laws of chivalry were observed throughout the combat no one interfered on either side. Garcilasso now despoiled his adversary ; then, rescuing the holy inscription of AVE MARIA' from its degrading situation, he elevated it on the point of his sword, and bore it off as a signal of triumph, amidst the rapturous shouts of the Christian army.

“The sun had now reached the meridian, and the hot blood of the Moors was inflamed by its rays, and by the sight of the defeat of their champion. Muza ordered two pieces of ordnance to open a fire upon the Christians. A confusion

was produced in one part of their ranks: Muza called to the chiefs of the army, 'Let us waste no more time in empty challenges — let us charge upon the enemy: he who assaults has always an advantage in the combat.' So saying, he rushed forward, followed by a large body of horse and foot, and charged so furiously upon the advance guard of the Christians, that he drove it in upon the battalion of the Marques of Cadiz.

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"The gallant marques now considered himself absolved from all further obedience to the queen's commands. He gave the signal to attack. Santiago!' was shouted along the line; and he pressed forward to the encounter, with his battalion of twelve hundred lances. The other cavaliers followed his example, and the battle instantly became general.

“When the king and queen beheld the armies thus rushing to the combat, they threw themselves on their knees, and implored the Holy Virgin to protect her faithful warriors. The prince and princess, the ladies of the court, and the prelates and friars who were present, did the same; and the effect of the prayers of these illustrious and saintly persons was immediately apparent. The fierceness with which the Moors had rushed to the attack was suddenly cooled; they were bold and adroit for a skirmish, but unequal to the veteran Spaniards in the open field. A panic seized upon the foot-soldiers they turned and took to flight. Muza and his cavaliers in vain endeavored to rally them. Some took refuge in the mountains; but the greater part fled to the city, in such confusion that they overturned and trampled upon each other. The Christians pursued them to the very gates. Upwards of two thousand were either killed, wounded, or taken prisoners; and the two pieces of ordnance were

brought off as trophies of the victory. Not a Christian lance but was bathed that day in the blood of an infidel.

"Such was the brief but bloody action which was known among the Christian warriors by the name of "The Queen's Skirmish;" for when the Marques of Cadiz waited upon her majesty to apologize for breaking her commands, he attributed the victory entirely to her presence. The queen, however, insisted that it was all owing to her troops being led on by so valiant a commander. Her majesty had not yet recovered from her agitation at beholding so terrible a scene of bloodshed, though certain veterans present pronounced it as gay and gentle a skirmish as they had ever witnessed."

The charm of "The Alhambra " is largely in the leisurely, loitering, dreamy spirit in which the temporary American resident of the ancient palace-fortress entered into its mouldering beauties and romantic associations, and in the artistic skill with which he wove the commonplace daily life of his attendants there into the more brilliant woof of its past. The book abounds in delightful legends, and yet these are all so touched with the author's airy humor that our credulity is never overtaxed; we imbibe