The Language of Shakespeare's PlaysRoutledge, 05/11/2013 - 208 páginas First published in 1952. This volume explores the function of verse in drama and the developing way in which Shakespeare controlled the rhetorical and decorative elements of speech for the dramatic purpose. The Language of Shakespeare's Plays explores the plays chronologically and so covers all the outstanding problems of Shakespearian language in a way that makes reference easy, without any loss of a continuing narrative. |
Índice
1 | |
The Comedy of Errors The Two Gentlemen of VeronaThe Taming of the Shrew | 17 |
Henry VI Parts I II and III Richard II Richard III King John | 31 |
CHAPTER IV A MIDSUMMERNIGHTS DREAM | 45 |
CHAPTER V ROMEO AND JULIET | 53 |
CHAPTER VI HENRY IV Part I and Part II | 62 |
The Merry Wives of Windsor The Merchant of VeniceMuch Ado About Nothing As You Like It Twelfth Night | 76 |
CHAPTER VIII HAMLET | 91 |
CHAPTER IX MEASURE FOR MEASURE ALLS WELL THAT ENDS WELL TROILUS AND CRESSIDA | 107 |
CHAPTER X OTHELLO AND MACBETH | 123 |
CHAPTER XI KING LEAR | 146 |
Julius Caesar Antony and Cleopatra Coriolanus | 160 |
CHAPTER XIII CYMBELINE THE WINTERS TALE THE TEMPEST | 176 |
INDEX | 189 |
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Palavras e frases frequentes
action Antony and Cleopatra argument Armado association audience beauty blank verse Brutus Caesar character comparison concentrated contrast Coriolanus Cressida death defined describes diction difficult doth dramatic Duke earlier early comedies early plays effect elaborate elements Elizabethan emotion emphasis employed example experience explore Falstaff fiery figure final find fire first flowers Gentlemen of Verona give Hamlet hath Henry I V Henry IV Henry VI history plays Holofernes honour Iago imagery imaginative language influence King Lear king’s Labour’s Lost later Lear’s lines linguistic Love’s Labour Love’s Labour’s Lost Lowe’s lyrical Macbeth magnificence Measure for Measure memory Mercutio Midsummer-Night’s Dream mind mood nature night o’er Ophelia Osric Othello passage phrases poetic poetry Polonius Professor Spurgeon prose realised reflects rhetoric romantic Romeo rustic says scene sentiment Shake Shakespeare Shakespeare’s language significance sonnet speak speech style sweet thee theme thou tragedy Troilus verbal whole words