The Complete Works of William Shakespeare, Volume 5Jefferson Press, 1907 |
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Página xiv
... and Benedict . The gentle Hero , the credulous Claudio , the villainous Don John , and the inimitably muddle - headed Dogberry and Verges play their parts in order that the verbal interchange between Beatrice [ xiv ] MUCH ADO ABOUT NOTHING.
... and Benedict . The gentle Hero , the credulous Claudio , the villainous Don John , and the inimitably muddle - headed Dogberry and Verges play their parts in order that the verbal interchange between Beatrice [ xiv ] MUCH ADO ABOUT NOTHING.
Página xv
... Hero by her maid and the imposition practised on the too easily convinced lover ; but in Carrington's trans- lation of the " Orlando Furioso " he had ready access to the pathetic story of Rinaldo and Ginevra . The differ- ences between ...
... Hero by her maid and the imposition practised on the too easily convinced lover ; but in Carrington's trans- lation of the " Orlando Furioso " he had ready access to the pathetic story of Rinaldo and Ginevra . The differ- ences between ...
Página xvi
... Hero and that of Fenecia . Messina is the scene of both stories , and in Bandello we find the personation of the heroine by her maid , the reluctant acceptance of the fact of un- chastity by the despairing lover , the rejection of the ...
... Hero and that of Fenecia . Messina is the scene of both stories , and in Bandello we find the personation of the heroine by her maid , the reluctant acceptance of the fact of un- chastity by the despairing lover , the rejection of the ...
Página xix
... Hero and the deception practised on Claudio evidently belonged to the common stock of inci- dent upon which the dramatists and story - tellers of the time drew at will ; that which belongs to Shakespeare is the very soul of the play ...
... Hero and the deception practised on Claudio evidently belonged to the common stock of inci- dent upon which the dramatists and story - tellers of the time drew at will ; that which belongs to Shakespeare is the very soul of the play ...
Página xx
... Hero is really a secondary figure and is as definitely subordinate to Beatrice as Claudio is to Bene- dict ; but the few strokes with which she is drawn reveal , with beautiful art , her purity , her simplicity , her womanly power to ...
... Hero is really a secondary figure and is as definitely subordinate to Beatrice as Claudio is to Bene- dict ; but the few strokes with which she is drawn reveal , with beautiful art , her purity , her simplicity , her womanly power to ...
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Palavras e frases frequentes
ADAM Audrey bear beard BEAT Beatrice BEAU BORA BORACHIO brother Celia CLAUD comedy cousin daughter Dogberry Don John DON PEDRO dost doth DUKE F Exeunt Exit eyes fair faith father Folios fool FOREST Enter forest of Arden foul FRIAR Ganymede give grace hand hath hear heart heigh-ho Hero hither honour horns humour infra Jaques lady LEON Leonato live look lord Love's Love's Labour's Lost lover MARG Margaret marriage marry master master constable means merry Messina never night Oliver Orlando Ovid Phebe play prithee Quarto reading Rosalind SCENE Shakespeare shepherd Signior Benedick Silvius sing song speak story supra swear sweet tell thank thing thou art to-morrow tongue TOUCH Touchstone troth Twelfth Night VERG villain WATCH wear WILLIAM SHAKESPEARE wilt wise woman word young youth
Passagens conhecidas
Página 54 - Freeze, freeze, thou bitter sky, That dost not bite so nigh As benefits forgot : Though thou the waters warp, Thy sting is not so sharp As friend remember'd not.
Página 43 - And loves to live i' the sun, Seeking the food he eats And pleased with what he gets, Come hither, come hither, come hither : Here shall he see No enemy But winter and rough weather.
Página 53 - With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and...
Página 44 - Sigh no more, ladies, sigh no more Men were deceivers ever, One foot in sea and one on shore, To one thing constant never : Then sigh not so, but let them go, And be you blithe and bonny, Converting all your sounds of woe Into Hey nonny, nonny.
Página 36 - Though I look old, yet I am strong and lusty: For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
Página 30 - The seasons' difference, as the icy fang And churlish chiding of the winter's wind, Which, when it bites and blows upon my body, Even till I shrink with cold, I smile and say ' This is no flattery : these are counsellors 10 That feelingly persuade me what I am.
Página 52 - Then the whining schoolboy, with his satchel, And shining morning face, creeping like snail Unwillingly to school : and then, the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Página 115 - It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding. Sweet lovers love the spring. Between the acres of the rye...
Página 48 - They most must laugh. And why, sir, must they so ? The ' why ' is plain as way to parish church : He that a fool doth very wisely hit Doth very foolishly, although he smart, Not to seem senseless of the bob : if not, The wise man's folly is anatomized Even by the squandering glances of the fool.