Love in a Green Shade: Idyllic Romances Ancient to ModernUniversity of Nebraska Press, 2000 - 279 páginas Love in a Green Shade examines for the first time in depth the reception history of Daphnis and Chloe in literature, beginning with its Renaissance rediscovery and working through its various transformations in English, French, Spanish, and other literatures. At the same time, Richard F. Hardin launches a groundbreaking exploration of the idyllic romance tradition in fiction and drama. While Virgil and Theocritus beget a tradition of poetry concerned with male eroticism, idyllic romance centers on the couple in a story pointing toward marriage. In addition to Daphnis and Chloe, this study considers numerous works influenced by the idyllic romance tradition, including Shakespeare's The Tempest, Milton's Paradise Lost, Bernardin's Paul et Virginie, Stowe's The Pearl of Orr's Island, Cather's O Pioneers!, novels by Sand, Hardy, and Pardo Bazan, Louis Hemon's Maria Chapdelaine, and Mishima's The Sound of Waves. |
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Página 22
... fall ” into knowledge of evil . This is irrelevant to Daphnis and Chloe , though habitual associations may lead some to describe this romance as a fall - from - innocence narrative . As stories dependent on romance structures , these ...
... fall ” into knowledge of evil . This is irrelevant to Daphnis and Chloe , though habitual associations may lead some to describe this romance as a fall - from - innocence narrative . As stories dependent on romance structures , these ...
Página 45
... falling into the faults of the old plays censured by Sidney in his Apology for Poetry ? Sidney writes : " for ordinary it is that two young princes fall in love . After many traverses , she is got with child , delivered of a fair boy ...
... falling into the faults of the old plays censured by Sidney in his Apology for Poetry ? Sidney writes : " for ordinary it is that two young princes fall in love . After many traverses , she is got with child , delivered of a fair boy ...
Página 65
... Fall ( 1964 ) , when his Adam figure longs , near the play's close , “ To know , and even happily , that we meet unblessed ; not in some garden of wax fruit and painted trees , that lie of Eden , but after , after the Fall , after many ...
... Fall ( 1964 ) , when his Adam figure longs , near the play's close , “ To know , and even happily , that we meet unblessed ; not in some garden of wax fruit and painted trees , that lie of Eden , but after , after the Fall , after many ...
Índice
Renaissance Rediscoveries | 25 |
Wit and Innocence | 52 |
Paul Virginie and George 22 79 | 101 |
Direitos de autor | |
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Love in a Green Shade: Idyllic Romances Ancient to Modern Richard F. Hardin Pré-visualização limitada - 2000 |
Love in a Green Shade: Idyllic Romances Ancient to Modern Richard F. Hardin Visualização de excertos - 2000 |
Palavras e frases frequentes
Abel Amyot's beauty Bernardin Blue Lagoon cave century chapter characters childhood classical comic couple couple's Cymbeline Daphnis and Chloe Daphnis's death Dick Dorcon earlier echoes ecphrasis edition episode Fadette father feeling feminine fiction foundling François French Gabriel garden George Sand Gessner Greek romance Green Mansions Greenwood Tree Hardy Hardy's heroine Hudson human ideal idyllic romance idyllicism innocence irony island Jewett later literary live Longus Longus's love story lovers Luis male Manuela Mara María Maria Chapdelaine marriage marry Milton's mother narrative narrator nature never novel novelists nymphs Orr's Island Paradise Lost Pardo Bazán passion pastoral pastourelle Paul et Virginie Pearl Pepita Pérez Perucho play poem poet readers recalls Renaissance Rima rural rustic Sand's says scene Schiller seems sentimental sexual Shakespeare sheep shepherd shepherdess Stacpoole storm Stowe Stowe's Sylvinet Tempest theme Theocritus translation Valera village Winter's Tale woman women Wright writes young