Beckett and Death

Capa
Steven Barfield, Philip Tew, Matthew Feldman
A&C Black, 26/12/2009 - 229 páginas
Death is indisputably central to Beckett's writing and reception.  This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death.  Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches.  The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant ‘poststructural' readings of Beckett's writing to the textual challenge exemplified by the The Unnamable. A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work.  Beckett and Death offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.
 

Índice

Beckett and Death
1
Strange Exalted Death Disinterring Beckett and Death
9
Textual Existence and Death in Beckett
22
Beckett and the Politics of Death
31
3 O Death Where Is Thy Sting? Finding Words for the Big Ideas
50
4 Beckett Augustine and the Rhetoric of Dying
72
5 Inane Space and Lively Place in Becketts Forties Fiction
89
From Malone Dies to The Unnamable
106
7 Becketts Amnesiacs Neuropsychology and Temporal Moribundity
128
Radio the Listener and the Dark Comedy of All That Fall
147
Becketts Death of the Species and Fictional Regeneration
169
10 Becketts Late Style
188
Samuel Becketts Cemeteries
206
Index
223
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Acerca do autor (2009)

Steven Barfield is Senior Lecturer in English Literature at the University of Westminster, UK. Matthew Feldman is Lecturer in Twentieth-Century History at the University of Northampton, UK. Philip Tew is Professor of English (Post-1900 Literature) at Brunel University, UK, Director of Brunel's Centre for Contemporary Writing and Director of the UK Network for Modern Fiction Studies.

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