A Poetry PrimerFarrar & Rinehart, incorporated, 1935 - 92 páginas |
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Página 49
... lines , obviously two lines are the fewest that a stanza may contain . There is no arbitrary limit at the other extreme to the number of lines a stanza may have , although in practice stanzas of more than twelve lines are rare . A ...
... lines , obviously two lines are the fewest that a stanza may contain . There is no arbitrary limit at the other extreme to the number of lines a stanza may have , although in practice stanzas of more than twelve lines are rare . A ...
Página 56
... LINES As stated earlier in this chapter , there is no limit upward as to the number of lines a stanza may have . Many poems written in stanzas of ten , twelve , and even more lines may be found , but the arrangement of lines is so ...
... LINES As stated earlier in this chapter , there is no limit upward as to the number of lines a stanza may have . Many poems written in stanzas of ten , twelve , and even more lines may be found , but the arrangement of lines is so ...
Página 72
... lines , and there are modern instances of nine- , ten- , and eleven - line stanzas , the most common , apart from the eight - line stanza , being that of ten lines with an envoy of five lines . The following example illustrates the ...
... lines , and there are modern instances of nine- , ten- , and eleven - line stanzas , the most common , apart from the eight - line stanza , being that of ten lines with an envoy of five lines . The following example illustrates the ...
Índice
PREFACE | 1 |
RHYTHM and METRE | 40 |
THE STANZA | 49 |
Direitos de autor | |
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Palavras e frases frequentes
abab accent anapest antistrophe basic foot beauty birds blank verse Browning's called catalexis century cesura CHAPTER common consonants couplet Cowleyan dactyl death doth drama elements emotion employed English poetry English verse envoy epode examples experience expression feeling feet free verse give Greek hath Heaven heroic epic iamb iambic pentameter ideas imagination important instance Italian form Keats language light lines LONGFELLOW love thee Lowell's lyric poetry matter Matthew Arnold metre metrical scheme Milton mind narrative poetry night o'er Paradise Lost pause person Pindar poem poet poetic popular ballad prose prosody qualities quatrain rhetorical rhythm rime-scheme riming words Robert Bridges Rose sense Shakespeare Shelley Shelley's sing song sonnet soul sounds Spenser's stanza stanzaic forms story stress strophe structure student sweet syllables rime TENNYSON tercet themes things thou thought tion trochaic trochee understanding unstressed syllables usually vowels W. B. Yeats Whitman's WORDSWORTH writing written