A Poetry PrimerFarrar & Rinehart, incorporated, 1935 - 92 páginas |
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Página 29
... rhetorical divi- sions . Yet many persons read verse according to the metrical ar- rangement , pausing at the end of each line , whether a natural pause comes there or not , and in general paying little attention to the rhetorical ...
... rhetorical divi- sions . Yet many persons read verse according to the metrical ar- rangement , pausing at the end of each line , whether a natural pause comes there or not , and in general paying little attention to the rhetorical ...
Página 41
... rhetorical . The third reason for accent is based on metrical re- quirements . That is , the swing of the verse demands the accentua- tion of certain syllables or monosyllabic words which do not re- quire accent for etymological or ...
... rhetorical . The third reason for accent is based on metrical re- quirements . That is , the swing of the verse demands the accentua- tion of certain syllables or monosyllabic words which do not re- quire accent for etymological or ...
Página 42
... rhetorical reasons ; and things and from for metrical reasons . TIME INTERVALS In addition to the occurrence of accent , a fundamental prin- ciple of metre is that these accents shall recur at fairly regular time intervals . The ...
... rhetorical reasons ; and things and from for metrical reasons . TIME INTERVALS In addition to the occurrence of accent , a fundamental prin- ciple of metre is that these accents shall recur at fairly regular time intervals . The ...
Índice
PREFACE | 1 |
RHYTHM and METRE | 40 |
THE STANZA | 49 |
Direitos de autor | |
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Palavras e frases frequentes
abab accent anapest antistrophe basic foot beauty birds blank verse Browning's called catalexis century cesura CHAPTER common consonants couplet Cowleyan dactyl death doth drama elements emotion employed English poetry English verse envoy epode examples experience expression feeling feet free verse give Greek hath Heaven heroic epic iamb iambic pentameter ideas imagination important instance Italian form Keats language light lines LONGFELLOW love thee Lowell's lyric poetry matter Matthew Arnold metre metrical scheme Milton mind narrative poetry night o'er Paradise Lost pause person Pindar poem poet poetic popular ballad prose prosody qualities quatrain rhetorical rhythm rime-scheme riming words Robert Bridges Rose sense Shakespeare Shelley Shelley's sing song sonnet soul sounds Spenser's stanza stanzaic forms story stress strophe structure student sweet syllables rime TENNYSON tercet themes things thou thought tion trochaic trochee understanding unstressed syllables usually vowels W. B. Yeats Whitman's WORDSWORTH writing written