Pied Piper: The Many Lives of Noah GreenbergPendragon Press, 2001 - 427 páginas Noah Greenberg's life story reads like a gritty Jack London or Theodore Dreiser romance set against the backdrop of New York's political and cultural scene. Born and raised in the Bronx, the child of immigrant parents, Greenberg had no education beyond high school and absolutely no formal musical training. Yet, in the 1950s, he rose to musical celebrity as co-founder and director of the legendary New York Pro Musica and became the driving force behind the American early-music revival. Growing up in the Depression, Greenberg devoted himself to radical socialism and labor activism. In World War II, he worked in the California shipyards and spent six years in the Merchant Marine. Music always mattered, but the turning point in his life was the 1950 Prades Festival, from which he came away convinced that he must make his career in music. He put together an ensemble of engaging young singers and instrumentalists, featuring the astonishing countertenor voice of Russell Oberlin. By the mid-fifties, lively, expressive interpretations of medieval, Renaissance, and Baroque works had won Greenberg and the Pro Musica national acclaim. In 1958, their presentation of the medieval liturgical drama The Play of Daniel made them internationally famous. At the height of his and Pro Musica's success, Noah Greenberg died suddenly in New York at the age of 47. In Pied Piper, James Gollin tells the story of Greenberg's tragically short life, placed in the rich context of America's rise to postwar cultural prominence. James Gollin, author of four books and many articles for New York Magazine, Fortune, The Nation, and The New York Times, has created entertainments featuring a fictional early music group, The Antiqua Players. Winner of the Deems Taylor Award for 2002 given by ASCAP. |
Índice
Background and Beginnings 18991912 | 1 |
Crosscurrents and Encounters 19131916 | 16 |
Under the Influence of Satie | 34 |
Military Service 19181920 | 50 |
Expanding Horizons 19211926 | 90 |
The Close of the Twenties 19271930 | 153 |
A Wealth of Mélodies and Piano Music | 182 |
Of Faith Rediscovered and the Advent | 221 |
Obsession with Dialogue des Carmélites | 421 |
The Final Years 19611963 | 445 |
Appendices | 471 |
and Radio Broadcasts | 487 |
Recordings by Poulenc as Piano Soloist | 503 |
Portraits and Drawings of Francis Poulenc | 512 |
A Partial List of Unpublished Theses | 546 |
555 | |
The War Years 19401944 | 264 |
The PostWar Years 19451949 | 303 |
North American Tours Two and Three | 355 |
Outras edições - Ver tudo
Palavras e frases frequentes
accompanied American Apollinaire artists asked attended August Auric ballet Bernac Bernac and Poulenc called chansons Cocteau Collaer completed composed composition concert conducted copy Debussy December dedicated Diaghilev Dialogues discussed earlier early February final finished four Fragment Francis Poulenc French gave given going Henri included Italy January Jean July June late later letter in Poulenc letter to Bernac London March Marie-Blanche mélodies Milhaud never Noizay November numerous October opera orchestration Paris Paul performance piano piece Pierre played poèmes poems Polignac Poulenc wrote premiere present published recital recording returned Salle Satie Sauguet Schmidt score sent Sept September Sonata songs soprano stay Stravinsky studied suggested summer Théâtre thought told took tour trip Trois Unpublished week write written wrote York
Referências a este livro
The Muse as Eros: Music, Erotic Fantasy and the Male Creativity in the ... Stephen C. Downes Pré-visualização indisponível - 2006 |