The Atlantic Literary Review, Volume 6Atlantic Publishers and Distributors, 2005 |
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Página 49
... moral responsibility in the name of faith . That , to say the least , would be to grossly misread the play . It is mainly by transforming the play's ending to a ritual that Soyinka succeeds in making the Euripidean drama of God's ...
... moral responsibility in the name of faith . That , to say the least , would be to grossly misread the play . It is mainly by transforming the play's ending to a ritual that Soyinka succeeds in making the Euripidean drama of God's ...
Página 69
... moral world of Ratan's father and post - industrial society of which Ratan is a representative . The novel opens with the description of the time when India was under the bondage of the British . All the leaders , including Mahatma ...
... moral world of Ratan's father and post - industrial society of which Ratan is a representative . The novel opens with the description of the time when India was under the bondage of the British . All the leaders , including Mahatma ...
Página 104
... moral , replies : " It's for you to discover the moral . " The play has a simple plot , dehumanized characters and broken language . It is an attack on cliché in man's communication . Ionesco comments on theatrical absurdity : " I have ...
... moral , replies : " It's for you to discover the moral . " The play has a simple plot , dehumanized characters and broken language . It is an attack on cliché in man's communication . Ionesco comments on theatrical absurdity : " I have ...
Índice
Jalal Uddin Khan | 12 |
Tirthankar Das Purkayastha | 40 |
R S Krishnan | 54 |
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American appears argues attempt Barker become beginning body called characters colonial comes concern created Creole CRITICAL STUDIES cultural death Delhi describes emotion English existence experience expression face fact father feels fiction forces Ghosh give hand human husband identity imagined Indian Indian Americans individual interest interpretation issues language lines literary literature lives London look Manfred marriage means metafictional mind mother narrative narrator nature never novel object past play poem poet poetry political position present published question reader reality references relation relationship representation represents Rivers role says seems seen sense social society spirit story suggests things thought traditional translation turn understand University values voice woman women writing York