The Atlantic Literary Review, Volume 6Atlantic Publishers and Distributors, 2005 |
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Página 54
... never liked Naipaul . I could never read him without a sense of self - betrayal , I could not enter into his stories without being turned off from myself [ ... ] . I first encountered Naipaul- a fellow colonial who knew my condition ...
... never liked Naipaul . I could never read him without a sense of self - betrayal , I could not enter into his stories without being turned off from myself [ ... ] . I first encountered Naipaul- a fellow colonial who knew my condition ...
Página 15
... never played masquerade , and he had never beaten a steel pan . In New Lands Carnival was just a few wild Indians and maybe a robber or two and a few stickfighters playing under Bholai shop . Only the stickfight battles held any ...
... never played masquerade , and he had never beaten a steel pan . In New Lands Carnival was just a few wild Indians and maybe a robber or two and a few stickfighters playing under Bholai shop . Only the stickfight battles held any ...
Página 130
... never " left " India . I won a scholarship to Oxford and came to study in the UK for my D.Phil . After Oxford I went to Harvard for a couple of years , during which time I applied for jobs at various universities in India . As I was never ...
... never " left " India . I won a scholarship to Oxford and came to study in the UK for my D.Phil . After Oxford I went to Harvard for a couple of years , during which time I applied for jobs at various universities in India . As I was never ...
Índice
Jalal Uddin Khan | 12 |
Tirthankar Das Purkayastha | 40 |
R S Krishnan | 54 |
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American appears argues attempt Barker become beginning body called characters colonial comes concern created Creole CRITICAL STUDIES cultural death Delhi describes emotion English existence experience expression face fact father feels fiction forces Ghosh give hand human husband identity imagined Indian Indian Americans individual interest interpretation issues language lines literary literature lives London look Manfred marriage means metafictional mind mother narrative narrator nature never novel object past play poem poet poetry political position present published question reader reality references relation relationship representation represents Rivers role says seems seen sense social society spirit story suggests things thought traditional translation turn understand University values voice woman women writing York