He had a curious ebony Ca' or Whistle, which, at the beginning of the orgies, he laid on the table, and whoever was last able to blow the Whistle, everybody else being disabled by the potency of the bottle, was to carry off the Whistle as a trophy of victory. The Dane produced credentials of his victories-without a single defeat-at the Courts of Copenhagen, Stockholm, Moscow, Warsaw, and several of the petty Courts of Germany, and challenged the Scottish Bacchanalians to the alternative of trying his prowess, or else of acknowledging their inferiority. After many overthrows on the part of the Scots, the Dane was encountered by Sir Robert Lawrie of Maxwelton, ancestor to the present Sir Robert, who-after three days and nights' hard contest-left the Scandinavian dead-drunk, 'And blew on the Whistle his requiem shrill.' Sir Walter Lawrie, son to Sir Robert before mentioned, afterwards lost the Whistle to Walter Riddel of Glenriddel, who had married the sister of Sir Walter. On Friday, the 16th of October, 1789, the Whistle was once more contended for-as related in the ballad-by the present Sir Robert Lawrie of Maxwelton; Robert Riddel, Esq., of Glenriddel, lineal descendant and representative of Walter Riddel, who won the Whistle, and in whose family it had continued; and Alexander Ferguson, Esq., of Craigdarroch, likewise descendant of the great Sir Robert; which last gentleman carried off the hard-won honours of the field." The Poet, it should be particularly remarked, took no part whatever in the competition, even as a witness, his sole office being to perpetuate the memory of these three doughty wine-bibbers, by congealing them like toping flies in the amber of his verse. Professor Wilson, in no squeamish mood, pro nounced "The 'Whistle,' in the eyes of Bacchus, the best of Triumphal Odes."] I SING of a Whistle, a Whistle of worth, I sing of a Whistle, the pride of the North, Was brought to the court of our good Scottish king, coins ; And long with this whistle all Scotland And gallant Sir Robert, deep read in old shall ring. Old Loda, still rueing the arm of Fingal, The god of the bottle sends down from his hall wines. Craigdarroch began, with a tongue smooth as oil, Desiring Glenriddel to yield up the spoil; o'er ; Or else he would muster the heads of the Gay pleasure ran riot as bumpers ran clan, And once more, in claret, try which was Bright Phoebus ne'er witnessed so joyous the man. the field, a core, Six bottles a-piece had well worn out the night, When gallant Sir Robert, to finish the fight, Turned o'er in one bumper a bottle of red, And swore 't was the way that their ancestor did. And, knee-deep in claret, he'd die or 'Then worthy Glenriddel, so cautious and he'd yield. sage, To the board of Glenriddel our heroes No longer the warfare, ungodly, would repair, wage; So noted for drowning of sorrow and A high ruling Elder to wallow in wine! He left the foul business to folks less divine. care; But for wine and for welcome not more known to fame, Than the sense, wit, and taste of a sweet The gallant Sir Robert fought hard to lovely dame. A bard was selected to witness the fray, And tell future ages the feats of the day; A bard who detested all sadness and spleen, And wished that Parnassus a vineyard had been. the end; But who can with fate and quart bumpers contend? Though fate said-a hero should perish in light; So up rose bright Phoebus-and down fell the knight. The dinner being over, the claret they Next up rose our bard, like a prophet in ply, drink : And every new cork is a new spring of "Craigdarroch, thou 'lt soar when creation shall sink! joy; In the bands of old friendship and kindred But if thou would flourish immortal in so set, rhyme, And the bands grew the tighter the more Come, one bottle more-and have at the sublime! they were wet. "Thy line, that have struggled for free- far from Kirkoswald. Burns to the last, accord dom with Bruce, Shall heroes and patriots ever produce; So thine be the laurel, and mine be the bay; The field thou hast won, by yon bright god of day!" TAM O'SHANTER. A TALE. [To a friendly challenge from Captain Grose we are indebted for this admirable masterpiece. Burns having entreated him to make honourable mention of Alloway Kirk in his Antiquities of Scotland, he promised compliance with the request upon one condition, namely, that the Poet should supply him with a metrical witch-story, as an accompaniment to the engraving. Mrs. Burns it was who related to Cromek the marvellous rapidity with which this poem was produced. According to her, it was the work of a single day-one account even stating that it was composed between breakfast and dinner: as Alexander Smith put it with an exultant chuckle, the best day's work ever done in Scotland, since Bruce won Bannockburn. Burns, during the early part of that memorable day, had passed the time alone in pacing his favourite walk upon the river bank. Thither in the afternoon he was followed by his "bonnie Jean" and some of their children. Finding that he was "crooning to himself," and fearing lest their presence might be an interruption, his considerate wife loitered some little distance behind among the broom and heather with her brood of young ones. There her attention was caught by the Poet's impassioned gesticulations. She could hear him repeating aloud, while the tears ran down his face-"Now Tam! O Tam! had they been queans.' Towards evening, when the storm of composition had fairly run out, Burns, we are told by M'Diarmid, committed the verses to writing upon the top of a sod dyke, overhanging the river and directly they were completed rushed indoors to read them aloud by the fireside in a tone of rapturous exultation. A Carrick farmer, named Douglas Graham, was the original of Tam o' Shanter. Shanter itself, by the way, was the title of a farm belonging to Graham, not ing to Lockhart, was resolutely of opinion, that Tam o' Shanter was the best of all his productions.] "Of Brownyis and of Bogilis full is this Buke." GAWIN DOUglas. WHEN chapman billies leave the street, storm, Nursing her wrath to keep it warm. This truth fand honest Tam o' Shanter, Thou drank wi' Kirkton Jean till Mon Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How many lengthened sage advices, The husband frae the wife despises ! But to our tale: Ae market-night, Tam did na mind the storm a whistle. Care, mad to see a man sae happy, sure; That hour, o' night's black arch the keystane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, Loud, deep, and lang the thunder bellowed; That night, a child might understand, Weel mounted on his grey mare, Meg, sonnet ; Whiles glow'ring round wi' prudent cares, By this time he was 'cross the ford, Kings may be blest, but Tam was Whare in the snaw the chapman smoored; Through ilka bore the beams were Wi' mair o' horrible and awfu', glancing; And loud resounded mirth and dancing. Inspiring, bold John Barleycorn! The swats sae reamed in Tammie's noddle, Fair play, he cared na de'ils a boddle. and Put life and mettle in their heels. And by some devilish cantrip slight, Which ev'n to name wad be unlawfu'. As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: Till ilka carlin swat and reekit, Now Tam, O Tam! had they been queans, A' plump and strapping, in their teens; Their sarks, instead o' creeshie flannen, Been snaw-white seventeen hunder linen; Thir breeks o' mine, my only pair, That ance were plush, o' guid blue hair, I wad ha'e gi'en them aff my hurdies, For ae blink o' the bonnie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach, But Tam kenned what was what fu' brawlie: "There was ae winsome wench and walie," That night enlisted in the core, |