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THE RIGS O' BARLEY. [This exquisite song was one of the choicest gems in the first small volume of poems published in 1786, at Kilmarnock. Burns himself

referred to it as written at the time of his resi

dence at Lochlea, before he went to Irvine. My

fixed conviction is that it bears allusion to a much later period than that, namely, to the time when he was under the maddening influence of the Armour miseries, Annie being the merest blind for another name, the dearest to him in all the world. It was, as I conceive, in his wild Scotch way, the Poet's own Epithalamium.]

Tune-"Corn rigs are bonnie."
It was once upon a Lammas night,
When corn rigs are bonnie,
Beneath the moon's unclouded light
I held awa' to Annie:

The time flew by wi' tentless heed,
'Till 'tween the late and early,
Wi' sma' persuasion she agreed
To see me through the barley.
Corn rigs, an' barley rigs,

An' corn rigs are bonnie:
I'll ne'er forget that happy night,
Amang the rigs wi' Annie.

The sky was blue, the wind was still,
The moon was shining clearly;
I set her down, wi' right good will,

Amang the rigs o' barley:

I ken't her heart was a' my ain;
I loved her most sincerely;
I kissed her owre and owre again
Amang the rigs o' barley.

Corn rigs, an' barley rigs, &c.

I locked her in my fond embrace;
Her heart was beating rarely;
My blessings on that happy place
Amang the rigs o' barley!
But by the moon and stars so bright,
That shone that hour so clearly!
She aye shall bless that happy night
Amang the rigs o' barley.

Corn rigs, an' barley rigs, &c.

I ha'e been blithe wi' comrades dear;
I ha'e been merry drinkin';
I ha'e been joyfu' gatherin' gear;
I ha'e been happy thinkin':
But a' the pleasures ere I saw,

Though three times doubled fairly, That happy night was worth them a', Amang the rigs o' barley.

Com rigs, an' barley rigs,

An' corn rigs are bonnie: I'll ne'er forget that happy night, Amang the rigs wi' Annie.

MONTGOMERY'S PEGGY.

[Peggy was the housekeeper of Archibald Montgomery of Coilsfield. Her coquetry gave Burns little more than a heartache, on his finding that, before they met, she had been engaged to another.]

Tune-"Galla Water." ALTHOUGH my bed were in yon muir, Amang the heather, in my plaidie, Yet happy, happy, would I be,

Had I my dear Montgomery's Peggy. When o'er the hill beat surly storms, And winter nights were dark and rainy; I'd seek some dell, and in my arms I'd shelter dear Montgomery's Peggy.

Were I a baron, proud and high,
And horse and servants waiting ready,
Then a' 't wad gi'e o' joy to me,
The sharin't wi' Montgomery's Peggy.

SONG COMPOSED IN AUGUST. [The Peggy here celebrated was that charming fillette, by name Margaret Thomson, wholiving next door to the school-house at Kirkoswald, where Burns at eighteen was, in 1777, studying geometry and mensuration-so overset his trigonometry, and drove him off at a tangent from the spheres of his studies, that he could only struggle on a few days longer with his sines and cosines. He at one time even meditated marrying her, and would probably have done so only that he was foredoomed to espouse Jean Armour, while Peggy Thomson was

reserved to become later on, in the town of Ayr, the wife of one Neilson.]

Tune-"I had a horse, and I had nae mair."

Now westlin winds and slaughtering guns

Bring autumn's pleasant weather;

The moorcock springs, on whirring

wings,

Amang the blooming heather:

Now waving grain, wide o'er the plain, Delights the weary farmer;

And the moon shines bright, when I rove at night,

To muse upon my charmer.

The partridge loves the fruitful fells ;

The plover loves the mountains; The woodcock haunts the lonely dells,

The soaring hern the fountains; Through lofty groves the cushat roves,

The path of man to shun it; The hazel bush o'erhangs the thrush, The spreading thorn the linnet.

Thus every kind their pleasure find—
The savage and the tender;
Some social join, and leagues combine,
Some solitary wander.
Avaunt, away! the cruel sway,
Tyrannic Man's dominion;
The sportman's joy, the murdering cry,
The fluttering, gory pinion!

But, Peggy dear, the evening's clear,

Thick flies the skimming swallow; The sky is blue, the fields in view,

All fading-green and yellow : Come, let us stray our gladsome way, And view the charms of Nature; The rustling corn, the fruited thorn, And every happy creature.

We'll gently walk, and sweetly talk,

Till the silent moon shine clearly; I'll grasp thy waist, and, fondly prest, Swear how I love thee dearly: Not vernal showers to budding flowers, Not autumn to the farmer, So dear can be as thou to me, My fair, my lovely charmer!

BONNIE PEGGY ALISON.

[This is the earliest known specimen of Burns's adaptation to a purer theme of a fragmentary portion of one of the old songs of Scotland, until then tainted with indelicacy. The lyric chorus was all he deigned to perpetuate.]

Tune-"Braes o' Balquhidder."

ILK care and fear, when thou art near,
I ever mair defy them, O;
Young kings upon their hansel throne
Are no sae blest as I am, O!

[I'll kiss thee yet, yet,

An' I'll kiss thee o'er again; An' I'll kiss thee yet, yet,

My bonnie Peggy Alison !]

When in my arms, wi' a' thy charms,
I clasp my countless treasure, O,
I seek nae mair o' heaven to share,
Than sic a moment's pleasure, O!
[I'll kiss thee yet, yet, &c.]

And by thy een, sae bonnie blue,
I swear I'm thine for ever, O!
And on thy lips I seal my vow,
And break it shall I never, O!
[I'll kiss thee yet, yet,

An' I'll kiss thee o'er again;
An' I'll kiss thee yet, yet,

My bonnie Peggy Alison !]

YOUNG PEGGY.

"

[Margaret Kennedy was the heroine of this dainty love song, which Burns enclosed to her in a brief note, describing it as a small though grateful tribute offered to her in return for the honour of her acquaintance. They had been introduced to one another at Mauchline, during the autumn of 1785, when she was a "bonnie lassie of seventeen." Her father was a small landed proprietor in Carrick. Unhappily, the Poet's aspiration in her regard, at the opening of the fourth stanza, was anything but fulfilledthe McDouall of Logan having played so falsely by her in the following autumn (that of 1786) that Burns, hearing of it shortly before he started for Edinburgh, poured forth in lamentation, on her behalf, his immortal verses, "Ye Banks and Braes o' Bonnie Doon.]

Tune-"Last time I cam' o'er the muir." YOUNG Peggy blooms our bonniest lass, Her blush is like the morning, The rosy dawn, the springing grass With pearly gems adorning:

Her eyes outshine the radiant beams
That gild the passing shower,
And glitter o'er the crystal streams,

And cheer each fresh'ning flower.

Her lips more than the cherries bright,
A richer dye has graced them;
They charm th' admiring gazer's sight,
And sweetly tempt to taste them;
Her smile is like the evening mild,

When feathered tribes are courting,
And little lambkins, wanton wild,
In playful bands disporting.

Were Fortune lovely Peggy's foe,

Such sweetness would relent her; As blooming Spring unbends the brow Of surly, savage Winter. Detraction's eye no aim can gain,

Her winning powers to lessen ; And spiteful Envy grins in vain, The poisoned tooth to fasten.

Ye Powers of Honour, Love, and Truth,
From every ill defend her!
Inspire the highly-favoured youth

The Destinies intend her;
Still fan the sweet connubial flame,
Responsive in each bosom ;
And bless the dear parental name
With many a filial blossom.

THE RANTIN' DOG THE

DADDIE O'T.

[This would seem to have been written rather in tenderness for the ill-starred babe and its mother "Bonnie Betty," than as Sir Harris

Nicolas insists, in flagrant defiance of public My mither sent me to the town, opinion, as to the wrong-doing.]

Tune-"East nook o' Fife." OH, wha my baby-clouts will buy? Oh, wha will tent me when I cry? Wha will kiss me where I lie?—

The rantin' dog the daddie o't.

Oh, wha will own he did the fau't? Oh, wha will buy the groanin' maut? Oh, wha will tell me how to ca't?—

The rantin' dog the daddie o't.

When I mount the creepie chair,
Wha will sit beside me there?
Gi'e me Rob, I'll seek nae mair,-
The rantin' dog the daddie o't.
Wha will crack to me my lane?
Wha will mak' me fidgin'-fain?
Wha will kiss me o'er again?—
The rantin' dog the daddie o't.

MY HEART WAS ANCE AS

BLITHE AND FREE.

[Another fragment of one of the old lyrics of Scotland is preserved in the following chorus, which for that reason is bracketed as not by Burns.]

Tune-"To the weavers gin ye go."
My heart was ance as blithe and free
As simmer days were lang,
But a bonnie westlin' weaver lad

Has gart me change my sang.

[To the weavers gin ye go, fair
maids,

To the weavers gin ye go;
I rede you right gang ne'er at night,
To the weavers gin ye go.]

To warp a plaiden wab ;
But the weary, weary warpin' o't
Has gart me sigh and sab.
[To the weavers gin ye go, &c.]
A bonnie westlin' weaver lad
Sat working at his loom;
He took my heart as wi' a net,
In every knot and thrum.
[To the weavers gin ye go, &c.]
I sat beside my warpin'-wheel,
And aye I ca'd it roun';
But every shot and every knock,
My heart it ga'e a stoun.

[To the weavers gin ye go, &c.]
The moon was sinking in the west,
Wi' visage pale and wan,
As my bonnie westlin' weaver lad
Convoyed me through the glen.

[To the weavers gin ye go, &c.] But what was said, or what was done, Shame fa' me gin I tell ;

But oh! I fear the kintra soon
Will ken as weel 's mysel'.

[To the weavers gin ye go, fair
maids,

To the weavers gin ye go;
I rede you right gang ne'er at night,
To the weavers gin ye go.]

MY NANNIE, O!

[Agnes Fleming, a servant at Calcothill, near Lochlea, was the one here sung of as Nannie.]

Tune-"My Nannie, O." BEHIND yon hills, where Lugar flows, 'Mang moors an' mosses many, O, The wintry sun the day has closed, And I'll awa' to Nannie, O.

The westlin' wind blaws loud an' shrill;
The night's baith mirk and rainy, O;
But I'll get my plaid, an' out I'll steal,
An' owre the hills to Nannie, O.

My Nannie's charming, sweet, an' young,
Nae artfu' wiles to win ye, O;
May ill befa' the flattering tongue
That wad beguile my Nannie, O!

Her face is fair, her heart is true,
As spotless as she's bonnie, O;
The opening gowan, wet wi' dew,
Nae purer is than Nannie, O.

A country lad is my degree,

An' few there be that ken me, O; But what care I how few they be? I'm welcome aye to Nannie, O.

My riches a''s my penny-fee,

An' I maun guide it cannie, O.
But warl's gear ne'er troubles me,
My thoughts are a' my Nannie, O.

Our auld guidman delights to view

His sheep an' kye thrive bonnie, O; But I'm as blithe that hauds his pleugh, An' has nae care but Nannie, O.

Come weel, come woe, I care na by,
I'll tak' what Heaven will sen' me, O;
Nae ither care in life have I,

But live an' love my Nannie, O.

A FRAGMENT.

Tune-"John Anderson my Jo."

ONE night as I did wander, When corn begins to shoot, I sat me down to ponder, Upon an auld tree root:

Auld Ayr ran by before me,

And bickered to the seas; A cushat crowded o'er me, That echoed through the braes.

GREEN GROW THE RASHES.

[An old choral chaunt, long popular in Scotland before he was born, has here suggested to Burns one of his finest lyrics.]

THERE's nought but care on every han',
In every hour that passes, O;
What signifies the life o' man,
An' 't were na for the lasses, O?
[Green grow the rashes, O!

Green grow the rashes, O!
The sweetest hours that e'er I spent,
Were spent amang the lasses, O!]

The warl'ly race may riches chase,
An' riches still may fly them, O;
An' though at last they catch them fast,
Their hearts can ne'er enjoy them, O.

[Green grow the rashes, O! &c.]

But gi'e me a canny hour at e'en,
My arms about my dearie, O;
An' warl'ly cares, an' warl'ly men,
May a' gae tapsalteerie, O!

[Green grow the rashes, O! &c.]

For you sae douse, ye sneer at this,

Ye're nought but senseless asses, O; The wisest man the warl' e'er saw, He dearly loved the lasses, O. [Green grow the rashes, O! &c.]

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