The morning rose untouch'd that stands, Arm'd with her briers, and sweetly smells; Tune-"I do confess thou art sae fair." I DO confess thou art sae fair, I wad been o'er the lugs in luve, muve. I do confess thee sweet, but find That kisses ilka thing it meets. See yonder rosebud, rich in dew, Amang its native briers sae coy; How sune it tines its scent and hue When pu'd and worn a common toy! Sic fate, ere lang, shall thee betide, Though thou may gaily bloom awhile; Yet sune thou shalt be thrown aside Like ony common weed and vile. AH, CHLORIS ! Although I love my Chloris mair Though a' my daily care thou art, YON WILD MOSSY MOUNTAINS. [There exists great doubt as to who was really the heroine of the following stanzas, which, according to Burns's own assurance, bore allusion to an incident in his private history.] Tune-"Yon wild mossy mountains." YON wild mossy mountains, sae lofty and wide, That nurse in their bosom the youth o' the Clyde, Where the grouse lead their coveys through the heather to feed, And the shepherd tents his flock as he pipes on his reed. Where the grouse lead their coveys through the heather to feed, And the shepherd tents his flock as he pipes on his reed. Not Gowrie's rich valleys, nor Forth's sunny shores, To me ha'e the charms o' yon wild mossy [Chloris was the lassie wi' the lintwhite locks, or the fair one with the flaxen ringlets, already sung of by the Poet in Craigieburn. She was the ill-starred Jean Lorrimer, beloved by Mr. Gillespie but married to Mr. Whelpdale, by whom she was afterwards deserted, to end her days in For there, by a lanely, sequestered clear poverty and affliction.] Tune-"Major Graham." AH, Chloris! since it may na be That thou of love wilt hear; If from the lover thou maun flee, Yet let the friend be dear. moors, stream, Resides a sweet lassie, my thought and my dream. For there, by a lanely, sequestered clear stream, Resides a sweet lassie, my thought and my dream. Amang thae wild mountains shall still be And the heart-beating love, as I'm my path, clasped in her arms, Ilk stream foaming down its ain green O, these are my lassie's all-conquering charms! narrow strath; For there, wi' my lassie, the day-lang I rove, While o'er us, unheeded, flee the swift hours o' love. For there, wi my lassie, the day-lang I IT IS NA, JEAN, THY BONNIE rove, While o'er us, unheeded, flee the swift hours o' love. FACE. [This was an English love song which Burns, according to his own acknowledgment, merely She is not the fairest, although she is Scotticized.] O' nice education but sma' is her share ; be, But I love the dear lassie because she lo'es me. Her parentage humble as humble can be, But I lo'e the dear lassie because she lo'es me. To beauty what man but maun yield him a prize, In her armour of glances, and blushes, and sighs? And when wit and refinement ha'e polished her darts, They dazzle our een as they flee to our hearts. And when wit and refinement ha'e polished her darts, They dazzle our een as they flee to our hearts. But kindness, sweet kindness, in the fond sparkling e'e, Has lustre outshining the diamond to me; And the heart-beating love, as I'm clasped in her arms, O, these are my lassie's all-conquering charms! Tune-"The Maid's Complaint." IT is na, Jean, thy bonnie face, Nor shape, that I admire, Might weel awake desire. To praise, to love, I find; Still dearer is thy mind. Nae mair ungenerous wish I ha’e, At least to see thee blest. Content am I, if Heaven shall give But happiness to thee: She's down in the yard, she 's kissin' the Wha mak' ye sae like a thief?— O, come thy ways to me, my Eppie M'Nab! O, come thy ways to me, my Eppie Whate'er thou hast done, be it late, be it Thou's welcome again to thy ain Jock What says she, my dearie, my Eppie What says she, my dearie, my Eppie She lets thee to wit that she has thee And for ever disowns thee, her ain Jock O, had I ne'er seen thee, my Eppie M'Nab! O, had I ne'er seen thee, my Eppie As light as the air, as fause as thou's fair, Thou's broken the heart o' thy ain Jock WHA IS THAT AT MY BOWER DOOR? [This was suggested by an antique rhyme in Ramsay's Tea-Table Miscellany.] Tune-" Lass, an I come near thee." WHA is that at my bower door? O, wha is, but Findlay? Then gae your gate, ye'se no be here!- Indeed will I, quo' Findlay. Gif I rise and let you in ? Let me in, quo' Findlay; In my bower if ye should stay?— Here this night if ye remain, I'll remain, quo' Findlay; Let it pass, quo' Findlay; WHAT CAN A YOUNG LASSIE [Mingling an atom of the alloy caught from "Auld Rob Morris" (to be found in Ramsay's Tea-Table Miscellany) with his own pure metal, Burns rang out these now long famous verses like so many golden doubloons.] Tune-"What can a young lassie do wi' an auld man?" WHAT can a young lassie, what shall a young lassie, What can a young lassie do wi' an auld man? Bad luck on the pennie that tempted my minnie To sell her poor Jenny for siller an lan'! Bad luck on the pennie, &c. He's always compleenin' frae mornin' to I wad wear thee in my bosom, e'enin', He hosts and he hirples the weary day Wishfully I look and languish, lang; He's doyl't and he's dozin', his bluid it And my heart it stounds wi' anguish, Lest my wee thing be na mine. is frozen, Beside me, gin the gloaming. Lap o'er the rig, To see my lad sae near me. [At Friar's Carse, Burns was introduced, by And his friend Captain Riddel, to that "Charming, lovely Davies," in whose honour he wrote this delicious morsel of a lyric. His "little idol," as he called her-for she was as small as she was beautiful-died prematurely, having pined away with chagrin on recognizing the unworthiness of one Captain Delany, who jilted her as deliberately as he had won her affections.] Tune-"Bonnie wee thing." BONNIE wee thing, cannie wee thing, Lovely wee thing, wert thou mine, His bonnet he, A thought ajee, Cocked sprush when first he clasped me; While in his grips he pressed me. [This most exquisite love song was penned by Burns towards the close of 1791, in his character as Sylvander, and was enclosed by him in a letter from Dumfries, dated the 27th December, to Clarinda. The stanzas celebrated their last interview three weeks previously at Edinburgh (on the 6th December), Mrs. McLehose having just before then written to the Poet announcing her intention to obey the summons of her husband to rejoin him in Jamaica. Clarinda and Sylvander never met again. In February, 1792, Mrs. McLehose sailed from Leith on board the Roselle. She outlived the Poet the better part of half a century-fully forty-five years—dying in 1841, in her eighty third year. Fully ten years prior to that, when she was already in her seventy-third year, she penned a memorandum, dated 6th December, 1831, which, after her death, was found among her manuscripts, and in which she said, "This day I can never forget. Parted with Burns in the year 1791, never more to meet in this world. Oh, may we meet in heaven!" Both Scott and Byron evidenced the highest admiration-and small wonder can there be that they did so-for one particular stanza in this matchless love song, to wit, the fourth. Lord Byron prefixed it as a motto to his "Bride of Abydos," while Sir Walter Scott wrote of it, at page 34 of the first volume of the Quarterly, that that one stanza contained the essence of a thousand love tales !] Tune-"Rory Doll's Port." AE fond kiss, and then we sever; Ae fareweel, and then, for ever! Deep in heart-wrung tears I'll pledge thee, Warring sighs and groans I'll wage thee. Who shall say that Fortune grieves him, While the star of hope she leaves him? Me, nae cheerfu' twinkle lights me; Dark despair around benights me. I'll ne'er blame my partial fancy, Naething could resist my Nancy : But to see her was to love her; Love but her, and love for ever. Had we never loved sae kindly, Fare thee weel, thou first and fairest ! Ae fond kiss, and then we sever; Warring sighs and groans I'll wage thee! |