Our SenecaArchon Books, 1968 - 285 páginas |
No interior do livro
Resultados 1-3 de 39
Página 77
... bring to you — by word of mouth , Not by the hand — I beg you , hear him well . And now , attentive , hear the argument Which I'll present you in few words and clear . After a few lines , giving the location of the play and the origin ...
... bring to you — by word of mouth , Not by the hand — I beg you , hear him well . And now , attentive , hear the argument Which I'll present you in few words and clear . After a few lines , giving the location of the play and the origin ...
Página 95
... bringing in what must have been exciting material that lay outside the scope of the immediate action . Finally , the ... bring on to the stage any acts of violence ( with the exception of the suicide of Ajax in a play which is also most ...
... bringing in what must have been exciting material that lay outside the scope of the immediate action . Finally , the ... bring on to the stage any acts of violence ( with the exception of the suicide of Ajax in a play which is also most ...
Página 133
... bring ? ” Nine times during his long speech they make the proper comment or ask the proper question to bring out his narrative and keep it going . Quite undramatically , their end accomplished , they are silent when he has finished ...
... bring ? ” Nine times during his long speech they make the proper comment or ask the proper question to bring out his narrative and keep it going . Quite undramatically , their end accomplished , they are silent when he has finished ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
10 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly