Our SenecaArchon Books, 1968 - 285 páginas |
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Página 89
... chorus is almost never motivated and in no play but the Troades is a reason given for its departure . In two instances , however , the chorus seems to be thought of as coming in at the end of an act . In the Hercules Furens , Theseus ...
... chorus is almost never motivated and in no play but the Troades is a reason given for its departure . In two instances , however , the chorus seems to be thought of as coming in at the end of an act . In the Hercules Furens , Theseus ...
Página 124
... chorus in this tragedy . Any chorus at all would seem to him unnecessary , while to the classical scholar , unfamiliar with the beginnings of English drama , this remnant of a chorus in the Spanish Tragedy would certainly seem curiously ...
... chorus in this tragedy . Any chorus at all would seem to him unnecessary , while to the classical scholar , unfamiliar with the beginnings of English drama , this remnant of a chorus in the Spanish Tragedy would certainly seem curiously ...
Página 125
... chorus in the earliest Greek play that has survived , the Suppliants of Aeschylus . The piece begins with the entrance of the chorus chanting in anapests . Like the prologue characters of a later day , they identify themselves as the ...
... chorus in the earliest Greek play that has survived , the Suppliants of Aeschylus . The piece begins with the entrance of the chorus chanting in anapests . Like the prologue characters of a later day , they identify themselves as the ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly