Our SenecaArchon Books, 1968 - 285 páginas |
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Página 24
... course plenty of exceptions but on the whole the generalization is justified . One has but to remember the institution of ostracism to be convinced . When it ceased to be true the days of free Athens were over . Now the Rome of 200 B.c. ...
... course plenty of exceptions but on the whole the generalization is justified . One has but to remember the institution of ostracism to be convinced . When it ceased to be true the days of free Athens were over . Now the Rome of 200 B.c. ...
Página 140
... course of action . The Ajax opens with the goddess Athena ( probably invisible to the audience as she is to the actors ) showing to Odysseus the madness of Ajax and its results . It is an unusually melodramatic scene for Sophocles and ...
... course of action . The Ajax opens with the goddess Athena ( probably invisible to the audience as she is to the actors ) showing to Odysseus the madness of Ajax and its results . It is an unusually melodramatic scene for Sophocles and ...
Página 148
... course : the drama has not discarded its ancient framework wholly . So long as the myths furnished the plots , the gods could not be eliminated . But they are almost as much literary conventions to Seneca as to a writer of today . Titan ...
... course : the drama has not discarded its ancient framework wholly . So long as the myths furnished the plots , the gods could not be eliminated . But they are almost as much literary conventions to Seneca as to a writer of today . Titan ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly