Our SenecaArchon Books, 1968 - 285 páginas |
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Página 20
... entrance is treated almost exactly like Kreon's in the first act . At the end Tiresias bids Oedipus go within , and the implication of his own departure is clear . And so on through the play . Each entrance and exit is plainly and ...
... entrance is treated almost exactly like Kreon's in the first act . At the end Tiresias bids Oedipus go within , and the implication of his own departure is clear . And so on through the play . Each entrance and exit is plainly and ...
Página 85
... entrance of the chorus is regularly motivated and in which that entrance occurs after the prologue . We have an inclination to look for stage directions or to turn to a program to make sure just what the antecedent situation is . Seneca ...
... entrance of the chorus is regularly motivated and in which that entrance occurs after the prologue . We have an inclination to look for stage directions or to turn to a program to make sure just what the antecedent situation is . Seneca ...
Página 177
... entrance . The chorus only is present and the messenger first makes the concise statement that Pentheus is dead . He ... entrance and exit were easily motivated . On the other hand he might be merely a piece of stage mechanism , in which ...
... entrance . The chorus only is present and the messenger first makes the concise statement that Pentheus is dead . He ... entrance and exit were easily motivated . On the other hand he might be merely a piece of stage mechanism , in which ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly