Our SenecaArchon Books, 1968 - 285 páginas |
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Página 140
... gods , powerful but themselves subject to Fate . Prayer to the gods was therefore not only politic but effective in minor matters but the chief effort of man should be to ascertain , by whatever sign possible , the program of destiny ...
... gods , powerful but themselves subject to Fate . Prayer to the gods was therefore not only politic but effective in minor matters but the chief effort of man should be to ascertain , by whatever sign possible , the program of destiny ...
Página 149
... gods occur in this act . Clytemnestra ( who does pride herself on divine ancestry ) scoffs at the idea that the gods gave a fair breeze from Aulis . O House of Atreus , still surpassing crimes Of old with crimes new fashioned , bought ...
... gods occur in this act . Clytemnestra ( who does pride herself on divine ancestry ) scoffs at the idea that the gods gave a fair breeze from Aulis . O House of Atreus , still surpassing crimes Of old with crimes new fashioned , bought ...
Página 151
... god , it develops into a protest against Fortune . Medea is an apparent exception . She calls on all the infernal gods again and again but obviously this is a part of the tone background of her lethal magic . The supernatural in Seneca ...
... god , it develops into a protest against Fortune . Medea is an apparent exception . She calls on all the infernal gods again and again but obviously this is a part of the tone background of her lethal magic . The supernatural in Seneca ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly