Our SenecaArchon Books, 1968 - 285 páginas |
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Página 80
... horror . The Troades is a play neither of revenge nor of defiance . From its Greek source it inherited something of the tone of pacifist propaganda , but , in its transformation into a Roman tragedy , it developed less an atmosphere ...
... horror . The Troades is a play neither of revenge nor of defiance . From its Greek source it inherited something of the tone of pacifist propaganda , but , in its transformation into a Roman tragedy , it developed less an atmosphere ...
Página 93
... horrors enacted on stage the action is far from clear and of course has to be inferred from the spoken word . Seneca , therefore , set an example of rhetorical horror but not of “ stage horrors . ” CHAPTER V LONG SPEECHES F t NROM the ...
... horrors enacted on stage the action is far from clear and of course has to be inferred from the spoken word . Seneca , therefore , set an example of rhetorical horror but not of “ stage horrors . ” CHAPTER V LONG SPEECHES F t NROM the ...
Página 197
... horror which often had no honest function in the plot , but became too frequently the prominent part of the play ... horrors on the stage . It was not because of fine feelings but of inadequate facilities that Seneca restricted his ...
... horror which often had no honest function in the plot , but became too frequently the prominent part of the play ... horrors on the stage . It was not because of fine feelings but of inadequate facilities that Seneca restricted his ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly