Our SenecaArchon Books, 1968 - 285 páginas |
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Página 95
... largely for their spectacular or romantic effect and then only sparingly . With Sophocles we have already seen that the dramatic element came into its own . Plot furnishes the central interest . Complications have a new value , for the ...
... largely for their spectacular or romantic effect and then only sparingly . With Sophocles we have already seen that the dramatic element came into its own . Plot furnishes the central interest . Complications have a new value , for the ...
Página 152
... largely removed . And so it did . Even Euripides necessarily compensated such loss as had already occurred in his drama with the interest in psychological studies of individuals , in minor conflicts , and with the rhetorical arguments ...
... largely removed . And so it did . Even Euripides necessarily compensated such loss as had already occurred in his drama with the interest in psychological studies of individuals , in minor conflicts , and with the rhetorical arguments ...
Página 158
... largely impregnated the work of the latter , but the latter is also a poet and a poet of his own generation . That generation had inherited and greatly enlarged the tradition of the play of Fortune even in a conventionally Stoic ...
... largely impregnated the work of the latter , but the latter is also a poet and a poet of his own generation . That generation had inherited and greatly enlarged the tradition of the play of Fortune even in a conventionally Stoic ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly