Our SenecaArchon Books, 1968 - 285 páginas |
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Página 9
... leave , for she is not present in the next scene . Oedipus may have remained through the singing of the choral ode that follows although this would be highly unorthodox without some special excuse . No sound motivation is given for the ...
... leave , for she is not present in the next scene . Oedipus may have remained through the singing of the choral ode that follows although this would be highly unorthodox without some special excuse . No sound motivation is given for the ...
Página 17
... leave ( also presumably ) . After the briefest possible choral interlude a messenger reports the blinding of Oedipus ... leaving 389 lines for what may fairly be called dialogue . The most rigid exclusion can hardly reduce a the number ...
... leave ( also presumably ) . After the briefest possible choral interlude a messenger reports the blinding of Oedipus ... leaving 389 lines for what may fairly be called dialogue . The most rigid exclusion can hardly reduce a the number ...
Página 18
... leaving some 250 lines for the longer speeches — all of which are actually incorporated in the dialogue . To put it in another way , Sophocles devotes two thirds of his play to rapid and wholly natural dialogue and no fraction to ...
... leaving some 250 lines for the longer speeches — all of which are actually incorporated in the dialogue . To put it in another way , Sophocles devotes two thirds of his play to rapid and wholly natural dialogue and no fraction to ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly